JIMPA – Review by Valerie KALFRIN

John Lithgow bares all as an aging gay activist in Jimpa, a well-meaning but meandering multigenerational drama partly based on filmmaker Sophie Hyde’s life. As the title character—a family nickname for “Grandpa”—Lithgow models nude, cruises gay bars, and talks with friends about struggles to live openly. He can be blunt to the point of rudeness, calling his nonbinary grandchild “grandthing” or criticizing them for using the word queer, for instance, when he and others fought to use gay without shame. It’s a frank portrait and a tribute to Hyde’s late father, Jim Hyde, to whom the film is dedicated. The problem with Jimpa is that the focus isn’t on Jim alone.

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THE MYSTERIOUS GAZE OF THE FLAMINGO – Review by Diane Carson

In the intriguingly titled The Mysterious Gaze of the Flamingo, Chilean writer/director Diego Céspedes’ debut feature profiles an isolated drag queen community living in a 1982 remote mining town. Amusing and dramatic, the story presents a serious, metaphorical commentary on a tragic misunderstanding of the AIDS epidemic. For nearby minors believe that as one man falls in love with another a mere gaze causes the illness, compromising the many mutual emotional and sexual attractions.

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MOVIE OF THE WEEK October 20, 2023 – THE PERSIAN VERSION

A strong-willed mother and her independent daughter butt heads but ultimately gain a greater understanding of each other in Iranian American filmmaker Maryam Keshavarz’ semi-autobiographical dramedy The Persian Version. Switching between narrators and perspectives and jumping back and forth in time between the past and the present to reveal key moments in both women’s lives, it creatively explores tensions connected to cultural conflict and family relationships.

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Carolina Markowicz on TOLL (TIFF 2023) – Jennifer Green interviews

Brazilian director Carolina Markowicz’s debut feature film, Charcoal, earned rave reviews last year at the Toronto International Film Festival, then made its European debut at Spain’s San Sebastián International Film Festival. Now she’s poised to repeat the hat trick with her follow-up film, Toll. Only this time, TIFF is celebrating Markowicz with its Emerging Talent Award, and Toll was selected as the closing night film for San Sebastián’s Latin Horizons section. Markowicz has been drawing worldwide attention since her 2018 short film The Orphan debuted at Cannes, where it took The Queer Palm. It went on to play in over 200 festivals, winning more than 50 awards.

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