WEEK IN WOMEN: Lisa Cholodenko’s HIGH ART gets Criterion Collection Blu-ray – Brandy McDonnell reports

Lisa Cholodenko’s acclaimed 1998 debut feature High Art is getting a Blu-ray release this month via The Criterion Collection. The queer romantic drama follows Lucy Berliner (Ally Sheedy), a once-prominent photographer who has retreated into a life of heroin abuse with her faded-actress lover (Patricia Clarkson). When Lucy is rediscovered by Syd (Radha Mitchell), an up-and-coming editor at a photography magazine, professional ambition and personal attraction become dangerously entwined. Cholodenko was still a student in Columbia University’s master of fine arts film program when she wrote High Art, which won numerous awards.

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THE MYSTERIOUS GAZE OF THE FLAMINGO – Review by April Neale

Set in the early 1980s, when fear of a mysterious new illness spread faster than the information to explain it, Diego Céspedes’ debut feature, The Mysterious Gaze of the Flamingo, is a haunting coming-of-age story set against one of the first global waves of HIV/AIDS panic. Set deep in Chile’s Atacama Desert in 1982, the film explores what happens to a community already living on the edges of society when superstition, isolation, and fear close in. Céspedes’ debut is gentle yet devastating, tender yet unflinching. It reminds us that love is both dangerous and transformative.

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CHRISTY – Review by Rachel West

Sydney Sweeney comes alive in the story of boxer Christy Martin. Directed by David Michôd, Christy tells the story of professional women’s boxer Christy Martin from her small town beginnings to her rise to boxing stardom, along with the battles she was fighting outside of the ring. Christy is a no-holds-barred tale, intertwining the elements of a sports biopic with a dark relationship drama to tell the story of Martin’s trailblazing career.

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THE INQUISITOR (Tribeca 2025) – Review by Beth Accomando

Angela Lynn Tucker’s documentary gathers archival materials and conducts new interviews to create more of a tribute to Barbara Jordan than a biography. It doesn’t dig in depth into Jordan’s life but rather it gives a broad overview to encompass as much as possible about her extensive legacy. We get a little bit on a lot of different aspects of her life rather than focusing in on just one. The strength of the film really lies in Jordan’s words, and Tucker always gives them the weight they deserve.

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THE WEDDING BANQUET – Review by Lynn Venhaus

A modern re-imagining of Ang Lee’s first 1993 breakthrough film, The Wedding Banquet is a funny, charming queer family romantic comedy about personal growth, making a home, and your chosen family becoming your real family. Hoping to stay in the country, a gay man Min (Han-Gi Chan) proposes a green card marriage to a female friend Angela (Kelly Marie Tran), hoping to stay in the country, and in exchange, will pay for her partner’s IVF treatment. However, things soon get complicated when his grandmother surprises them with a visit. She wants an extravagant Korean wedding banquet.

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SALLY (Sundance FF 2025) – Review by Leslie Combemale

With so much in the news every day right now on LGBTQ Americans having their rights stripped away, Cristina Costantini’s new documentary Sally, about pioneering female astronaut Sally Ride, feels both perfectly timed and all too timely. Costantini, who won Sundance’s Audience Award for her film Science Fair in 2018, uses a mix of archival footage, voice recordings from Ride herself, and interviews with those closest to her to build the story of her complicated life. The fact that she was gay and in a longtime relationship with a woman was only revealed to the public via Ride’s obituary, after she died of cancer in 2012. Chief among those sharing memories in this revealing documentary is Ride’s partner of 27 years, Tam O’Shaughnessy. Ride was a trailblazer for women and girls interested in STEM, but also a woman who struggled with balancing her public and private personas. She gave everything to her career, which often meant compromising her personal life by staying in the closet.

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MOVIE OF THE WEEK May 24, 2024: QUEEN OF THE DEUCE

If Chelly Wilson were a fictional character, odds are she’d be deemed “hard to believe” or “too over the top.” But the business-savvy, chain-smoking mom and grandma who came to the United States from Greece in 1939 and operated a string of adult movie theaters in some of the seediest parts of New York City in the 1960s and ’70s is 100 percent real. And, as chronicled in Valerie Kontakos’ documentary Queen of the Deuce, her story is fascinating.

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QUEEN OF THE DEUCE – Review by Loren King

The colorful and unconventional Chelly Wilson’s life story might seem incredible if Queen of the Deuce were not a documentary. The Jewish Wilson fled the Nazis and World War II but the Holocaust claimed nearly her entire family in Greece. She settled in New York City where she sold hot dogs from a truck before buying her first theater, the Cameo, and screening Greek films for the immigrant community. By the 1970s, Wilson owned six X-rated theaters around Times Square and 42nd Street aka “The Deuce.” Author and activist Jeffrey Escoffier credits her as “one of the first, if not the first, to show gay porn in New York City.”

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QUEEN OF THE DEUCE – Review by Leslie Combemale

There’s nothing like discovering that a place I deemed a dangerous dumpster fire of humanity at one time, actually represented resistance, resilience, and survival. The first time I walked down 42nd street was in the 80s, when it had become, as someone put it, “more dangerous than being a soldier in Vietnam”. I should have known there was a whole lot more to the history of The Deuce, as 42nd street is called, than the drug addicts, sex workers, peep shows, and violence in the streets that plagued it by that time. In the documentary Queen of the Deuce, director/writer/producer Valerie Kontakos reveals the importance of one trailblazing woman, Greek immigrant and badass Chelly Wilson, to its development as a porn mecca. She also puts into perspective how Wilson’s success represented so much more than just making heaps of money in a business seen as immoral or unsavory by the average American.

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THE QUEEN OF MY DREAMS (SXSW2024) – Review by Leslie Combemale

It’s quite a feat to bring joy to a storyline that grows out of grief, but that’s one of the delights of writer/director Fawzia Mirza’s The Queen of My Dreams. Her film centers on a disconnected mother and daughter, Mariam and Azra, who might seem diametrically opposed in many ways, but find common ground through a shared journey of loss. It is a technicolor character study full of music and emotion, and it’s as fun as it is poignant.

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