Female Film Critics 24/375
In this gentle, heartwarming father/son drama, Liam Neeson plays a widower/artist who returns to Italy with his estranged son (Micheal Richardson, his real-life son) to sell his late wife’s villa in rural Tuscany.
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James D’Arcy’s filmmaking debut is a lilting and lighthearted look at a father and son coming together after they’ve been estranged for some time. If you want to get lost in a lovely and moving little film, Made In Italy is a comforting bowl of risotto with extra butter and Parmesan, decidedly simple, and filling.
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Do not confuse Made in Italy with The Burnt Orange Heresy. Yes, both are set in beautiful, sunny Italy and both are about art and artists and art dealers. Whereas The Burnt Orange Heresy centers on stealing and head trips, Made in Italy focuses on an estranged widower and his motherless son’s finding each other.
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Liam Neeson, best known as the tough guy with the “special set of skills” in actioners like Taken, Run All Night and Non-Stop, shows a softer and more compassionate side in his latest movie Made in Italy. Directed and written by actor James D’Arcy (Avengers: Endgame and Dunkirk), Made in Italy is a slow moving, yet gripping drama set in beautiful Tuscany, Italy.
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The film begins and ends on a walk. Tom and Joan, long married, urge each other one along the quai. They move together, her short legs taking two steps for every one of his long limbs’. They are at ease with each other from years of shared experiences and bantering affection.
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There’s a reason why more movies are about weddings than marriages. It’s easier to tie up a story with bells ringing and happy “I do”s than to accurately depict the beautifully complicated thing that is a long-term committed relationship — especially the kind of real, relatable, warts-and-all relationship many people actually live out. But Lisa Barros D’Sa and Glenn Leyburn’s Ordinary Love accomplishes that feat with intimate grace, thanks to honest storytelling and heartbreaking performances by Liam Neeson and Leslie Manville.
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An ordinary couple faces extraordinary challenges in Lisa Barros D’Sa and Glenn Leyburn’s moving drama, Ordinary Love. It’s an intimate, thoughtful portrait of a loving husband (Tom/Liam Neeson) and wife (Joan/Leslie Manville), who have been together for many years. They are confident and comfortable in their relationship, and know and understand each other very well. Their familiarity with one another is evident in the way one completes the other’s sentences.
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Adapted from In Order of Disappearance the 2014 Norwegian thriller, Cold Pursuit stars Liam Neeson as a stoic snowplow driver seeking justice for the murder of his son during a drug deal gone bad.
But when his son Kyle (Micheal Richardson), a baggage handler at the local airport, is killed by drug-smugglers, his death is blamed on a heroin overdose. (FYI: Micheal is Neeson’s real-life son with the late Natasha Richardson.)
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“This is not your world,” someone — a man — says to Veronica Rawlings in the aftermath of the death of her husband, Harry. The man is talking about the Chicago criminal underworld in which Harry was a very successful mover — until he no longer was — but he might as well be talking about the whole big wide world.
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