THE UNKNOWN COUNTRY – Review by Valerie Kalfrin

Early in the low-key drama The Unknown Country, a fuzzy-haired waitress at a roadside diner passes out plates with compliments and good cheer. “I try to treat my customers really well because you never know what’s going on in somebody’s life,” she says. Hers is just one documentary-style vignette that fleshes out this theme, showing the hidden lives of people a young woman encounters along a road trip from the Midwest to the Texas-Mexico border.

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FANCY DANCE (Sundance FF2023) – Review by Leslie Combemale

Indigeneous filmmaker Erica Tremblay’s Fancy Dance, still seeking distribution, is so good it has me checking the Sundance Film Festival acquisition news every few hours like a mom of someone hoping to get drafted into the NFL. It has everything an award-winning movie needs: a plot with high stakes, strong performances, good character development and interaction, deeper cultural significance, and solid entertainment value. Fancy Dance also features BIPOC female creatives both in front and behind the camera, including the use of music by Choctaw composer Samantha Crain, and cinematography by Latinx filmmaker Carolina Costa.

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THE UNKNOWN COUNTRY (SXSW 2022) – Review by Alexandra Heller-Nicholas

If the name Lily Gladstone doesn’t already make you sit up because of her involvement in the much-anticipated forthcoming Martin Scorsese film Killers of the Flower Moon, then her central performance in Morrisa Maltz’s The Unknown Country should be enough to convince you on its own merits. Having previously appeared in roles of varying sizes in Kelly Reichardt’s First Cow and Certain Women, Gladstone is surely not an unfamiliar face for those with a taste for US indie fare. But it is The Unknown Country where she takes center stage and, in collaboration with Maltz and her numerous co-stars, gives The Unknown Country a sense of enormous depth and gravity.

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Top Female Performances @ New York Film Festival 2016 — Liz Whittemore reports

The New York Film Festival is the perfect venue for women to really show the world what they’re artistically capable of. This year was no exception. With performances from Annette Bening, Kristen Stewart, Laura Dern and Cynthia Nixon to name a few, here is a list of what I believe are some of the best of the best of women at NYFF54.

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AWFJ Movie of the Week, October 10 – October 14: CERTAIN WOMEN

Kelly Reichardt’s body of work has established her as a major American cineaste. Her latest film, Certain Women, maintains her masterful, yet quiet trajectory. Opening Oct. 14, AWFJ’s Movie of the Week is Certain Women, Read on…

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