ALL IN: THE FIGHT FOR DEMOCRACY – Review by Martha K Baker

We are taught that democracy began with the Founding Fathers. It did not. Those men in knee britches granted suffrage to their fellows: White men. Men of property. 6% of the population. Over the next 200 years and change, the rest of the nation has had to fight for the vote. Directors Lisa Cortes and Liz Garbus balance newsreels and graphics with commentary to present a civics lesson worthy of studied absorption.

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MOVIE OF THE WEEK March 13, 2020: LOST GIRLS

Featuring a fearless star performance from Amy Ryan, documentary veteran Liz Garbus’ first dramatic feature, Lost Girls, is a wrenching story about a mother’s search for truth — and justice. It’s based on the real-life story of Mari Gilbert, a New York woman whose dogged determination to find out what happened to her missing daughter led to the discovery of serial killings in Long Island.

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LOST GIRLS – Review by Susan Wloszczyna

The heart of Lost Girls is the connection forged by the survivors – the sorrowful sisters and guilt-ridden mothers who bond over the similar fates of their daughters. Amy Ryan is the hard-bitten engine driving this charge against simply shrugging off the disappearance of women, prostitutes or not. But the most soulful performance is given by Thomasin McKenzie as a daughter who supports her crusading mom even though her own needs are pushed aside.

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LOST GIRLS – Review by Pam Grady

A frightened prostitute runs into dark night and seemingly disappears off the face of the earth, sending a frantic mother into a walking nightmare of official indifference in this tense, evocative drama, drawn from an actual case.
Documentary filmmaker Liz Garbus makes her fiction feature debut with an engrossing, character-driven film.

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Sundance 2020: Female-Directed Films – Leslie Combemale reports

I saw only films directed by women this year, and my focus was on films from the Latinx community, as well as World films from diverse cultures, and African-American filmmakers. How absolutely delightful that I found nearly all of the movies I saw to be well-crafted, compelling, and unique, but a number of them were to be more widely celebrated because they’d gained distribution or won awards, or both.

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