Female Film Critics 24/375
Director Josephine Decker’s take on literary giant Shirley Jackson’s later years is more creative non-fiction than biopic. It’s a character study used to dissect the decay of male dominance on female creativity.
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End of Sentence is about men forever changed by a woman’s death — and another feature that quickly dispatches with a female character to fuel male growth — but it’s also thoughtful, shrewd and heart-rending, earning investment in its protagonists, their experiences, and both their internal and external journeys.
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