Female Film Critics 24/375
A perfect escapist film to look for is director Eliza Schroeder’s Love Sarah, set in the “cosmopolitan collective” of London dealing with the heaviest life happenstance, sweetened and softened with a confectionary glazing.
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Warm. Sweet. Comforting. Easily digestible. All four terms regularly apply to baked goods and, often, also to British comedies. In the case of tasty cakes and pastries, the quartet of descriptors can never herald trouble. With culinary-focused film Love Sarah, however, it’s possible to embrace those traits a little too heartily.
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