INFINITE STORM – Review by Diane Carson

Having backpacked a fair amount in wilderness areas, I must admit I’m an easy audience for survival stories. So Infinite Storm grabbed me right away. Based on a true story that occurred October 17, 2010, on New Hampshire’s Mount Washington (which I’ve climbed in good weather), the action focuses for almost the entire film on two people: Pam Bales and John. Pam is intent on saving the man she calls John, discovered nearly frozen, close to death. It turns out that Pam needs a bit of saving herself.

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NEVER GONNA SNOW AGAIN – Review by Maitland McDonagh

Malgorzata Szumowska and Michal Englert’s slyly pretty fable in which an interloper’s healing frees members of a miserable community from their various repressions and discontents, is slyly funny–no belly laughs, just an accumulation of weird and unexpected digressions that offset the film’s pervasive atmosphere of isolation, loneliness and slow suffocation by social conventions.

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NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart (Guest Post)

There is a spellbinding sense of fairy tale realism to Małgorzata Szumowska’s latest, her first co-directed film with long-time cinematographer Michał Englert. Never Gonna Snow Again is loaded with social commentary – it’s wicked and quietly wonderful.

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MOVIE OF THE WEEK April 10, 2020: THE OTHER LAMB

Stylish, intense, and thought-provoking, Malgorzata Szumowska’s The Other Lamb is both a gripping coming-of-age story and a dark, disturbing fable about a community of women who find the necessary strength to push back against and escape from a stifling patriarchy that dictates everything about their behavior and expectations in life.

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THE OTHER LAMB – Review by Loren King

Director Malgorzata Szumowska’s The Other Lamb is a visually striking, quietly poetic but very bleak tale about an all-female cult living in a remote, dense forest. The women tend to real sheep as well as to their Charles Manson-like leader (Michiel Huisman, who seems a bit young to have fathered girls who appear older than tweens) who is known only as “The Shepherd.”

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THE OTHER LAMB – Review by Nikki Baughan

As the audience knows from the off and as Selah comes to realize, this is ultimately a familiar earthbound story of one man’s heinous abuse of power, and the danger of blind faith. And while Selah’s journey to realization and empowerment may not hold many narrative surprises, it’s nevertheless one that commands attention. Powerful performances and a commanding aesthetic make this an arresting watch.

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THE OTHER LAMB – Review by Leslie Combemale

The Other Lamb, the English-language debut of Polish director Malgorzata Szumowska feels like the fevered dream of a menstruating teen handmaid, if she were, say, “Of Donald.” It provokes the sort of disgust and repulsion we are experiencing on a daily basis when we watch the daily “press briefings”, and that’s not necessarily a bad thing.

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THE OTHER LAMB – Review by Alexandra Heller-Nicholas

There is a palpable anger at patriarchal institutions that bleeds from Catherine S. McMullen’s pen as much as it does through Szumowska’s camera as they unpack the precise mechanics of dominance and submission, and how such abuses can become naturalized and institutionalized until stepping back and asking ‘why?’ becomes a radical act in its own right.

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