Margaret Mulubwa

In a year when Margaret Atwood’s The Handmaid’s Tale returned with force to the public consciousness through the Hulu series of the same name, there’s something of its shared focus on ritual and patriarchal oppression that ripples through I am Not a Witch. But the debut feature by Zambian-Welsh filmmaker Rungano Nyoni is a distinctly unique affair, reflecting the cultural specificity of the African context within which her story is set, and a flair for powerful, political black comedy not wholly unlike that of fellow Brit Chris Morris (a point of comparison a few critics have made). At times sincerely moving, bleakly comic, infuriating and heartbreaking, I am Not a Witch is a shrewd interrogation of exploitation, power, gender and national and personal identity.