COCAINE BEAR – Review by Susan Granger

According to the news in 1985, 40 pounds of cocaine was dropped from a bungled aerial drug run into the Chattahoochee National Forest in Georgia in September; the 175-pound black bear that ate much of it was found dead in December. While the action-comedy caper Cocaine Bear is loosely based on that story, screenwriter Jimmy Warden depicts a much different situation – following a giant, cocked-up, apex predator on a rampage through the woods, hunting for as much blow as possible.

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COCAINE BEAR – Review by Rachel West

It doesn’t really matter who the characters are or what their motivations are, because at the end of the day, this movie isn’t about them, it’s about a bear high on cocaine. We don’t need to care about any of the characters and Jimmy Warden’s script doesn’t really give us room to because it doesn’t matter. The high points of the story are all about the drugged-out bear looking for its next fix and the people are just around to inadvertently give it access to more cocaine and become snacks.

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MOVIE OF THE WEEK February 25, 2022: FAMILY SQUARES

In a pandemic-weary world where pretty much everyone is suffering from Zoom fatigue, it’s notable that Stephanie Laing’s Family Squares makes the experience of watching people interact via little boxes on one another’s computer screens both entertaining and genuinely engaging. It helps, of course, that they’re played by the likes of Ann Dowd, June Squibb, Henry Winkler, Margo Martindale, and Judy Greer — if only all virtual gatherings could be so star-studded!

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FAMILY SQUARES – Review by Susan Wloszczyna

For writer-director Stephanie Laing, her wry comedy Family Squares, is highly personal since it was inspired by the loss of her mother back in 2019. It’s also a love letter to her family that is stacked with an outstanding ensemble cast who use Zoom to communicate with one another while occupying virtual cubicles.

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FAMILY SQUARES – Review by Leslie Combemale

It is Stephanie Laing’s sophomore film as director, but much of the power of Family Squares is in the story. She co-wrote the screenplay, which was conceived as a COVID film, channeling experience from loss in her own life. It was originally called Spring Hope, after the small town near her family farm, and was based on a farm visit with her kids to say goodbye to her dying grandmother. Cut to a few years later when she was sitting down to Thanksgiving dinner in New York. She got a call from LA that her mother was dying, and had to said goodbye over FaceTime. These elements came together during the pandemic. Laing was considering the fact that over 200,000 Americans had died without being able to spend the last moments with each other in person, and found a way to tell all these emotional stories while keeping it real and funny and relatable.

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FAMILY SQUARES – Review by Liz Whittemore

Family Squares resonated with me on a very personal level. Everything from the weeping to inside jokes about which family members didn’t know how to locate the mute button made me smile. Writer-director Stephanie Laing understands the complexities that exist within a family unit. This massive all-star cast includes Henry Winkler, June Squibb, Ann Dowd, Judy Greer, Margo Martindale, Elsie Fisher, Casey Wilson, Bill Magnussen, Scott MacArthur, Sam Richardson, Zoe Chao, Timothy Simons, Jessica Miesel, and Maclaren Laing. Four generations of actors come together for one joyous and funny film.

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WEEK IN WOMEN: Dahvi Waller Premieres MRS. AMERICA on FX/Hulu – Brandy McDonnell reports

Primetime Emmy-winning writer and producer Dahvi Waller, whose premier previous credits include Mad Men and Halt and Catch Fire was looking for an intriguing angle to delve into 1970s feminism, and she found it in Mrs. America.

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BLOW THE MAN DOWN – Review by Martha K Baker

The title refers, of course, to the sea shanty most kids used to learn in the 5th grade. And so this original movie on Amazon begins with that ditty, sung by the fishers of Easter Cove, Maine, on the docks of that little, insular Maine coastal town.

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BLOW THE MAN DOWN – Review by Pam Grady

The film is ingeniously constructed. Writer/directors Bridget Savage Cole and Danielle Krudy knit together multiple story strands so that Blow the Man Down‘s tone constantly shifts, tense now, now hilarious, now a blend of both, now oddly moving. The entire ensemble is terrific.

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