RED SNOW – Review by Alexandra Heller-Nicholas

By reducing that almost-always privileged figure of the white man to a barely glimpsed footnote in the story centered on Gwichʼin and Afghan characters, Métis filmmaker Marie Clements’ Red Snow is a reminder that there are new, important ways to approach genres where we might assume we’ve seen it all before.

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Filmmaker Marie Clements on RED SNOW – Marina Antunes interviews

Canadian artist Marie Clements’ career spans decades and includes acting, writing and directing in theatre, television and film. As a writer and filmmaker for screen media, she has worked in both scripted and unscripted entertainment and has developed the skills to tell nearly any story.

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