Alexandra Heller-Nicholas’ Rape-Revenge Films: A Critical Study – Book Review by Marietta Steinhart (Guest Post)

To mark the ten-year anniversary of her compelling book Rape-Revenge Films: A Critical Study, Australian film critic Alexandra Heller-Nicholas (who is a member of AWFJ) has released a seriously revised, second edition, including an exciting new chapter on women-directed rape-revenge films before and after the #MeToo Era. A lot has happened since 2011 and if the author sounds angry, she says, it’s because she is.

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NEVER GONNA SNOW AGAIN – Review by Marietta Steinhart (Guest Post)

There is a spellbinding sense of fairy tale realism to Małgorzata Szumowska’s latest, her first co-directed film with long-time cinematographer Michał Englert. Never Gonna Snow Again is loaded with social commentary – it’s wicked and quietly wonderful.

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Women’s View at Palm Springs International Film Festival 2019 – Marietta Steinhart reports (Guest post)

Programmed by a team of six remarkable women, plus two men, the 2019 Palm Springs International Film Festival showed 228 films of which 55 were either directed or co-directed by women (about 24 percent), leaving room for more female directors in the future. Nevertheless the festival has no lack in films with or about women.

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COLD WAR – Review by Marietta Steinhart (Guest Post)

Four years after winning an Oscar for best-foreign-language film for Ida, author and director Pawel Pawlikowski has returned with three-time Oscar-nominated Cold War, a meticulously composed story of love shattered by the Iron Curtain, and temperaments. It will break your heart, but never mind: despair has never looked so gorgeous.

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SHOPLIFTERS – Review by Marietta Steinhart (Guest Post)

Hirokazu Kore-eda’s Shoplifters is a tender, strangely powerful and sad exploration of what makes a real family and implies that we often find true compassion among the strangers we encounter in the world. The film won the Palme d’Or at Cannes, claimed the FIPRESCI Prize for Best Foreign Language Film at Palm Springs International Film Festival and is nominated for a best foreign-language film Oscar.

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