WEEK IN WOMEN: Aniston/Witherspoon’s MORNING SHOW sets Season Three Premiere – Brandy McDonnell reports

Apple TV+ will premiere next month the highly anticipated third season of The Morning Show, starring and executive produced by Jennifer Aniston and Reese Witherspoon. In Season 3, the future of the network is thrown into question and loyalties are pushed to the brink when a tech titan takes an interest in UBA. Unexpected alliances form, private truths are weaponized, and everyone is forced to confront their core values both in and out of the newsroom. The Emmy-, SAG- and Critics Choice Award-winning drama, which has already received an early renewal for Season 4, is directed and executive produced by Mimi Leder.

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MOVIE OF THE WEEK July 7, 2023: BIOSPHERE

“Life finds a way.” This classic line from Jurassic Park is referenced more than once in director Mel Eslyn’s Biosphere, and there couldn’t be a more apt way to summarize the story of this quirky, unexpected dramedy about two lifelong best friends (Mark Duplass, who co-wrote the film with Eslyn, and Sterling K. Brown) who may be the last people left alive on Earth after an unspecified planet-ending disaster.

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BIOSPHERE – Review by Jennifer Merin

Director Mel Eslyn’s Biosphere is a wonderful addition to the cannon of Mark Duplass-produced quirky and profoundly satirical films. Duplass and Sterling K. Brown deliver brilliant emotionally rich performances that embrace the sheer absurdity of the narrative as though it is absolutely real. They’ll turn you into a believer of the preposterous. And you’ll alternatingly laugh and tear up all the way

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BIOSPHERE – Review by Liz Whittemore

Two distinctly fleshed-out male characters complement one another with their genuine presence for each other. Writer-director Mel Eslyn and co-writer Mark Duplass give a duality to the dialogue that is beyond clever. Biosphere is an undoubtedly slick mashup of gender identity storytelling, politics, and faith in humanity. Breezy, charming, touching, and completely unexpected, Biosphere mixes hope, science, and comedy. There is nothing else like it. It is a weird and wonderful wow of a film, brimming with delicious feminist energy.

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LANGUAGE LESSONS – Review by Martha K Baker

You know how Ted Lasso was exactly the series we needed to watch during the pandemic? Well, Language Lessons fits into that category, too, as it’s also about believing and healing, and it’s also funny and poignant and so well done. Credit goes entirely to writers and stars Mark Duplass and Natalie Morales. She directed the lovely little film.

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MOVIE OF THE WEEK September 10, 2021: LANGUAGE LESSONS

After the last year and a half, it would be understandable if someone read the quick summary of Natalie Morales’ Language Lessons — two very different people bond through a series of online chats and messages — and thought “A Zoom movie? No way!” But this intimate, heartfelt dramedy is so much more than that. It’s a carefully observed character study about friendship, privilege, and the power of a genuine connection, whether it’s virtual or IRL.

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LANGUAGE LESSONS – Review by Susan Wloszczyna

At a time when so much of our country is filled with divisive politics and ugly, stupid and false rhetoric while selfish anti-vaxers and anti-maskers refuse to do the right thing, here comes along a charming balm of a two-hander in the form of director Natalie Morales’s Language Lessons, which she wrote with her co-star, Mark Duplass. It provides a perfect oasis of sorts from all the pain and agony of the news headlines of late. It also might be the best Zoom meeting you will ever experience as well.

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LANGUAGE LESSONS – Review by Jennifer Merin

Language Lessons is a pandemic-inspired zoom-tech two-character, two- location, two-screen dramedy that’s thoroughly refreshing, emotionally engaging and, ultimately, utterly charming. Directed by Natalie Morales (who also stars and co-wrote the project with co-star Mark Duplass), the film follows the burgeoning understanding and growing friendship between Carino, a for-hire internet Spanish language teacher and her client, Adam, an affluent and bored white guy who has his regular daily routine and some social and emotional issues.

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LANGUAGE LESSONS – Review by Leslie Combemale

There’s a lot of buzz for pandemic indie Language Lessons. Co-starring Mark Duplass, who partnered with director Natalie Morales in writing the script, the film is the latest example of the screenlife film genre, in which all the storytelling takes place via a computer, tablet, or smartphone screen. Given that the world is universally experiencing Zoom fatigue, Language Lessons is a surprisingly poignant, bittersweet, sometimes uncomfortable exploration of platonic love, and it shows the depth and breadth of the talent of these two actors, who are tasked with keeping both forward momentum and building an emotional connection with viewers for 90 minutes. It is entirely worthy of its accolades, but should also come with a trigger warning for those still actively struggling with the pain of loss.

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LANGUAGE LESSONS (SXSW 21) – Review by Jennifer Merin

Language Lessons is a fine example of pandemic moviemaking at its best. Its conceit is simple, believable and appealing. There is nothing gimmicky about the production. Almost all of the action takes place via the internet — so there’s no need for social distancing and any inherent concern about or danger of contagion is eliminated. The story, essentially a tale of two characters who meet serendipitously on the internet, begins with their first encounter and follows their developing relationship as they, from afar and via the internet, offer each other support during harrowingly emotional experiences.

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