GOOD JOE BELL (TIFF20) – Review by Pam Grady

To call the truth-based film a disappointment is an understatement. What might have been a compelling story of a father’s quest for redemption is, instead, a flabby melodrama that plays like one of those old Afterschool Specials. Joe Bell and his family are reduced to symbols of problems that plague society. Flesh-and-blood people deserve better.

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THE WEEK IN WOMEN: Blanchett Chairs Cannes Jury, Women Helmers Underrepresented, Wahlberg Donates to ‘Time’s Up’ — Brandy McDonnell reports

Last year, out of the 109 people who directed the top 100 movies, just eight were women, according to the

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