Oscars 2020 Primer and Prediction – Susan Granger reports

For movie lovers, here’s the bad news and the good news. Last year, movie ticket sales in the United States & Canada were about $11.4 million, a 4% decrease from 2018. The good news is that the international box-office will exceed $30 billion for the first time ever. More films from streaming services are in the awards race, recognizing quality, no matter how it’s delivered. And I predict we’ll soon see the simultaneous release of movies at home and in theaters. This year the Oscars are on Feb. 9th; last year’s was on Feb. 24th; next year’s will be on Feb.28th. That means campaigners have fewer weeks this year to get their movies seen.

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AWFJ Announces 2019 EDA Award Nominees – Jennifer Merin reports

In its 13th annual awards season, the Alliance of Women Film Journalists presents EDA Awards in 25 categories divided into three sections, the BEST OF AWARDS, FEMALE FOCUS AWARDS and EDA SPECIAL MENTION AWARDS. AWFJ is particularly proud that women nominees are represented in all major craft categories and dominate several — and, not just in the FEMALE FOCUS section.

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MARRIAGE STORY – Review by Brandy McDonnell

It’s also one of those films that never lets you forget you’re watching a film, with a stagy quality that feels like you’ve been invited to see Driver, Scarlett Johansson, Laura Dern, Ray Liotta and Alan Alda one-up each other in an exclusive acting workshop with Baumbach providing slightly outlandish material liberally sourced from his own life.

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MARRIAGE STORY – Review by Susan Granger

You know the feeling when you have a very painful scab on your knee and you keep picking at it? That’s what writer/director Noah Baumbach has created in this bitter, corrosive tale about the dissolution of a marriage. Beginning as ‘cinema verite,’ recalling the 1960s French film movement which featured natural actions and authentic dialogue, it inexplicably then morphs into near-farce and melodic metaphors.

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MARRIAGE STORY – Review by Diane Carson

Writer/director Noah Baumbach tackles one of everyone’s most difficult experiences in Marriage Story, that is, the dissolution of an intimate relationship that also includes a cherished, young son. Adam Driver as husband Charlie and Scarlett Johansson as wife Nicole delve deep into painful emotional territory in a narrative alternately sweet, even amusing, tender, and, ultimately, agonizing.

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Noah Baumbach on MARRIAGE STORY, Perspectives and Writing Women – Jennifer Merin interviews

Noah Baumbach’s films are all about the tangles and untangling of relationships and, while they aren’t written entirely from a female perspective, they always present complex and compelling female characters with strong and well-defined objectives. From his own male perspective, Baumbach writes female characters with convincing authenticity.

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