MOVIE OF THE WEEK August 14, 2026: THE RIVALS OF AMZIAH KING

If, at first, writer-director Andrew Patterson’s quirky, Oklahoma-set crime thriller The Rivals of Amziah King doesn’t seem like a very female-forward movie, just wait. Without risking any big spoilers, its safe to say that co-star Angelina LookingGlass more than holds her own against poster boy Matthew McConaughey in this twisty genre-defying indie film about queen bees, unconventional family ties, revenge, and the toe-tapping power of roots music. The Rivals of Amziah King deserves to become the sleeper hit of 2026.

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THE RIVALS OF AMZIAH KING – Review by Leslie Combemale

The script is well-crafted, taut, and heartfelt, but sharp and a bit twisted. Imagine Tarantino or Ritchie, but Southern, PG13, cozy, and with bees. There are some plot twists you might not expect, and it behooves viewers to just go with them. The Rivals of Amziah King goes through a number of head-turning stages before it reaches its conclusion, with some entertaining action set pieces that keep things exciting. It never loses its underlying message about community and tenacity in the face of adversity, all while maintaining the utmost respect for southern culture specific to Oklahoma. Best of all, when the lights come up, viewers will likely leave theaters with a smile, just as I did. This indie deserves to become the sleeper hit of 2026.

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THE RIVALS OF AMZIAH KING – Review by Monique Jones

Even though the film is listed as a contemporary western crime thriller, the thrills don’t really start until halfway into the film (not counting the very early shock of a brutal, but comical accident early in the film). Yes, the first half is setting up the sense of community and camaraderie that serves as a foundation for the second half. But the first half might come across as wandering as well as a little twee and precious when it comes to the “jovial southerner” stereotype the film really hangs its hat on.

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THE LOST BUS – Review by Susan Granger

Based on journalist Lizzie Johnson’s book Paradise: One Town’s Struggle to Survive an American Wildfire, co-writers Paul Greengrass & Brad Inglesby interweave a real school bus driver’s dilemma into a suspense-filled thriller about kids trapped in a wildfire. Greengrass knows exactly how to ramp up tension with handheld cameras and rapid cutting, then defuse it – if only momentarily – before ramping it up again – while the driver copes with backed-up traffic as panicked evacuees overflow the only available roads, along with engine trouble, swirling ash and the deadly, rapidly spreading blaze.

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SING 2 – Review by Martha K Baker

For some movie goers, it does not take much more than the promise of Matthew McConaughey voicing a koala bear to get us out of a pandemic pout and into the theater. But when you add Taron Edgerton as a gorilla, Reese Witherspoon as a pig with a dream, and Nick Offerman as her porky husband, we’re in.

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THE GENTLEMEN – Review by Susan Granger

Writer/director Guy Ritchie concocts a complicated, contrived, often confusing plot that’s filled with bloody bickering and betrayal, augmented by clever twists, along with a total disregard for political correctness, since one character is offensively referred to as “the Chinaman” while another is “the Jew.”

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THE GENTLEMEN – Review by Martha K Baker

Mickey Pearson is the lord of weed. He has marijuana farms under huts, literally underground, and in his farms, he nurtures Mary Jane. But he wants out. Plenty of people line up to buy the farm–in more ways than one. Despite the title, there’s not a gentleman in sight, not so’s you’d know — there are more zeroes than heroes.

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SERENITY – Review by Susan Granger

This alleged neo-noir thriller is beyond disappointing. Chain-smoking, Iraq War vet Baker Dill (Matthew McConaughey) is a fishing boat captain, catering to tourists while obsessively pursuing an elusive, giant tuna, dubbed “Justice,” off a Caribbean-like island called Plymouth, described as “the most beautiful island in this damn dirty world.”

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AWFJ Movie of the Week, Nov. 3-9: INTERSTELLAR

Opening Nov. 7, AWFJ’s Movie of the Week is Interstellar, Christopher Nolan’s long-awaited science fiction epic which stars Matthew McConaughey and Anne Hathaway as astronauts on a mission to find humanity a new home. With it’s stunning visuals and sweeping themes, it’s one of the big screen experiences of the year. Read on…

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INTERSTELLAR – Review by Susan Granger

Inspired by Stanley Kubrick’s “2001: A Space Odyssey” and consultations with eminent theoretical physicist Kip Thorne, writer/director Christopher Nolan and his brother Jonathan have conceived a metaphysical conclusion that’s comparably bewildering. Inventively designed by Nathan Crowley and magnificently photographed by Hoyte Van Hoytema, the film’s emotional effectiveness is heightened by Hans Zimmer’s fantastic score. On the Granger Movie Gauge of 1 to 10, “Interstellar” is an audaciously ambitious, awesome 8, reflecting Nolan’s belief that humans are destined to explore the universe. Read on…

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