SUPERGIRL – Review by T.J. Callahan

Warner Bros producer James Gunn, director Craig Gillespie, and writer Ana Nogueira have teamed up to bring some estrogen-fueled muscle to the DC movie universe with Milly Alcock as Supergirl. This Supergirl has a darker, grungy vibe as if Mad Max teamed up with the Guardians of the Galaxy for some coming of age Star Wars. The Australian Alcock (House of Dragon, Sirens) brings a lot of strength, swagger and sarcasm, but gurrrl, this film isn’t super. Call it So-So Girl. All the components are there for a box office blockbuster, but Kara from Krypton, with a chip on her shoulder, chaotically cavorts with crazy characters through cosmically clunky confrontations that look great, but are less fulfilling.

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SUPERGIRL – Review by Susan Kamyab

While America celebrates the red, white, and blue, the box office is embracing red, blue, and yellow — as Supergirl flies into theaters. The question is: does the latest DC adventure soar to the same heights as last year’s crowd-pleasing, Superman? Despite its flaws, there remains clear promise in Milly Alcock as Kara Zor-El. With the tease of a potential team-up with Superman, audiences can look forward to her character thriving in a future installment, particularly with more screen time alongside David Corenswet.

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SUPERGIRL – Review by Susan Granger

The era of DC Comics heroes dominating the box-office is officially over! Supergirl is a colossal disappointment. Briefly introduced in the epilogue of Superman (2025), Kal-El’s punky young cousin, Kara Zor-El is also a survivor from the doomed planet Krypton. But, unlike Clark Kent, Kara still remembers the language and culture of her home world since her parents raised her on an outpost known as the floating city of Argo – until that too was destroyed – so young Kara was placed in a pod and shipped off to Earth with her beloved dog Krypto.

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THE OLD GUARD 2 – Review by Lynn Venhaus

A lackluster follow-up to the engaging action-packed original, The Old Guard 2 disappoints with a murky, morose narrative that fails to recapture any energy shown in the first superhero fantasy adventure. This film is blood-soaked and brutally violent, with all sorts of wicked implements like swords and battle axes wielded. But this time, the combat set pieces are staged with little finesse. While dialogue is mostly by the book, as before, here there is more introspection, but that doesn’t mean the story is lucid.

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WEEK IN WOMEN: Victoria Mahoney to direct THE OLD GUARD sequel – Brandy McDonnell reports

Victoria Mahoney is directing the sequel to Netflix’s 2020 hit action film The Old Guard. Mahoney will take the helm of the follow-up from Gina Prince-Bythewood, who broke Netflix records with The Old Guard.

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THE OLD GUARD – Review by Loren King

Filmmaker Gina Prince-Bythewood brings human drama to the superhero characters of The Old Guard, staging many action and fight scenes with lightening-quick finesse while getting dynamic performances from her e cast. But the heart and soul of the movie is Charlize Theron, gleefully believable as a 6,000-year-old warrior who’s saddled with a ghost that will no doubt figure in the next installment of this franchise.

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THE MUSTANG – Review by Diane Carson

Taming wild animals—human or equine—demands incredible patience as demonstrated in director Laure de Clermont-Tonnerre’s The Mustang, which draws on Wild Horse Inmate Programs that pair hard-core prisoners with mustangs. A designated inmate trains his assigned horse for auction. The sale money funds the ongoing Mustang project.

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AWFJ Movie of the Week, June 22-28: A LITTLE CHAOS

Opening June 26, AWFJ’s Movie of the Week is A Little Chaos, which tells the story of female landscape gardener Sabine De Barra (Kate Winslet) and her attempts to make her mark on the sumptuous new gardens of King Louis XIV’s palace at Versailles. Read on…

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