SIRENS – Review by Susan Granger

Show creator/runner Molly Smith Metzler must have been familiar with F. Scott Fitzgerald’s description of the rich because it matches hers in in Netflix’s new, five-part miniseries Sirens, alluding to Greek mythology in which sea monsters/mermaids lured sailors to their death. Her story begins with wealthy ethereal socialite Michaela “Kiki” Kell (Julianne Moore) standing on the edge of a cliff, releasing a falcon into freedom. At the same time, Devon DeWitt (Meghann Fahy) is getting out of jail in Buffalo, New York. Devon is exhausted caring for her widower father Bruce (Bill Camp) who suffers from dementia. So she hops a ferry to an unnamed sanctuary off the coast of Rhode Island and makes her way to the palatial clapboard beachfront estate known as Cliff House where her estranged younger sister Simone (Milly Alcock) – having survived a traumatic childhood – now works as Kiki’s personal assistant.

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DROP – Review by T.J. Callahan

Drop is high tech Hitchcock. Slow burn suspense for the social media savvy where everyone is a suspect. Director Christopher Landon (Happy Death Day) plays a game of chess with pawns aplenty. Every character is put in the line of fire whether they deserve to be or not. While Landon doesn’t let Drop fall flat, the film lacks buoyancy. The audience treads water for the first hour as the characters are introduced and the build up simmers. The last 30 minutes is a smash…literally.

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WEEK IN WOMEN: Caroline Lindy’s YOUR MONSTER Hits Halloween – Brandy McDonnell reports

Caroline Lindy’s Your Monster, an official selection of the Midnight program at the 2024 Sundance Film Festival, is getting a spooky season theatrical release. The film is directed, produced and written by Lindy as well as produced by Kayla Foster, Shannon Reilly, Melanie Donkers and Kira Carstensen. A New York City native, Lindy moved to Los Angeles to pursue her passion for filmmaking. She was awarded a grant from Women in Film to make the 2020 short film Your Monster which she expanded into her first feature length film.

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