MOVIE OF THE WEEK September 6, 2019: TIGERS ARE NOT AFRAID

Gritty and raw, Issa Lopez’ dark urban fairy tale Tigers Are Not Afraid (titled Vuelven in Spanish, which translates to They Come Back) centers on the devastating consequences of the drug trade, showing how the cartels’ criminal ways affect everyone in their path — including children, whose innocence disappears as quickly as the grown-ups in their lives.

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TIGERS ARE NOT AFRAID – Review by Jennifer Merin

Tigers Are Not Afraid, written and directed by Mexican filmmaker Issa Lopez, is a gripping and often hard to watch fantasy-clad drama that revolves around a group of Mexican tweens — a girl and four boys — whose ‘disappeared’ parents were victims of the ongoing drug-related violence that is decimating communities across the country.

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TIGERS ARE NOT AFRAID – Review by Susan Wloszczyna

Tigers Are Not Afraid, infused with a sense magical realism and featuring some rather gripping performances by child actors, is a gritty cinema-verite crime drama that feels like Peter Pan, the Lost Boys and Wendy met in Pan’s Labyrinth while protecting each other on the mean streets of Mexico. As drug wars regularly break out and gunfire is a regular occurrence, young children define themselves as warriors and fend for themselves in a parent-less jungle where crime, corruption and danger lurk around every corner.

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THE CHAMBERMAID – Review by Roxana Hadadi

High above Mexico City, more than 20 floors above the ground, Eve (Gabriela Cartol) works with her whole body. She dashes across hotel rooms, leaning over to pick up trash. She perches in the bathroom, scrubbing away. She smooths sheets and blankets with her entire upper half, making a 90-degree angle with the bed. Her responsibilities are highly regimented and take an immense physical toll, but you wouldn’t know that from her polite small talk or her demure “Excuse me” when she leaves a room. Eve has been trained to serve and to be ignored.

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Sydney FF 2019: OUR TIME – Review by Alexandra Heller-Nicholas

Chances are, if you’ve seen a film by acclaimed Mexican filmmaker Carlos Reygadas before you’ll have a pretty clear idea what you’ll make of his latest feature Our Time before you even watch it. Tedious navel-gazing or ponderous poetic reflection? As is now seemingly par for the course with Reygadas, opinion is largely split, although Our Time does not seem to have drummed up quite the impassioned positive responses as his last feature six years ago, the more experimental and audacious Post Tenebras Lux from 2012. It may simply be a case of better the (animated) devil you know.

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Alfonso Cuaron on Mother Figures in Life and in ROMA – Sarah Knight Adamson Interviews

In capturing the monotonous tasks carried out daily by his beloved housekeeper/caregiver, Alfonso Cuaron invites us to witness quiet colorless moments that seen in Roma to shine as brightly as a rainbow. Roma, is nothing short of an artful masterpiece.

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MOVIE OF THE WEEK January 25, 2019: ROMA

motw logo 1-35Winner of the AWFJ’s 2018 EDA awards for Best Film and Best Non-English Language Film (as well as Best Director, Best Cinematography, and Best Editing), Alfonso Cuaron’s “Roma” is a lushly filmed, beautifully specific slice-of-life drama that presents its central female characters with love and compassion. The story centers on Cleo (newcomer Yalitza Aparicio), the cook/maid/nanny to an upper middle class family living in Mexico City’s Roma district in the early 1970s.

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ROMA – Review by Diane Carson

Director Alfonso Cuarón has an impressive filmography, including Y Tu Mamá También, Children of Men, and Gravity, all masterfully executed. However, Cuarón’s autobiographical new work Roma is his masterpiece for its authoritative presentation of his upper-middle class Mexican upbringing and, especially, his enduring affection for his nanny Libo, called Cleo in the film, from whose perspective his family’s life unfolds.

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