THE HAND THAT ROCKS THE CRADLE – Review by Nadine Whitney

Women’s domestic thrillers and horror films have a long history with literature and cinema, and they require a story that is inventive with the tropes and ideas in the genre to make them memorable and distinct from a Lifetime movie. Michelle Garza Cervera’s direction and the two primary performances tip The Hand that Rocked the Cradle towards a sleeker production. However, there’s no complete escape from the low rent tawdriness of the script. The Hand that Rocked the Cradle is eminently forgettable, and that’s for the best.

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SANCTUARY (TIFF 2022) – Review by Ulkar Alakbarova

Has a thought such as ‘stop the world I want to get off’ crossed your mind while watching a specific film? A film that you have no clue what it’s about; neither its concept nor what it tries to tell you? The film that you have no words to describe. I will tell you what I planned to write about Zachary Wigon’s Sanctuary – this is just a phenomenal film that you won’t be able to not tell your friends about. So just go and watch it. End of review. But as a film critic, I should probably do better than that.

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