Rosario Dawson on DOPESICK, the Opioid Crisis and Representing – Leslie Combemale interviews.

Cast as a crusading DEA Agent in Dopestick, Rosario Dawson comments on the opioid crisis: I think this show, and why we’re in DC pushing it, is about the fact that we are not just trying to entertain people. We want this to be something that profoundly changes the game. You could feel it from every single person in the crew, because I have family and friends who have succumbed to the opioid crisis. 2020 had a record high of overdoses, and 75% of those overdoses were opioids. So we need to do something about it, and hopefully the show motivates people to do just that.

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WORTH – Review by Martha K Baker

Worth succeeds on so many levels. Backed by the Obamas’ production company, the impressive feature film addresses the massacres that occurred on Sept. 11, 2001. It concentrates on compensating deaths and injuries to more than 3,000 victims, that is, on the work of two men, Ken Feinberg and Charles Wolf.

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WORTH – Review by Liz Braun

What is a human life worth? That’s something lawyer Ken Feinberg has spent his career figuring out. Feinberg was Special Master of the September 11th Victim Compensation Fund. His job was to put a dollar value to every 9/11 victim to determine how much money each family would receive; it was a complex, unpleasant job that saw Feinberg work three years pro bono.

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Director Sara Colangelo on the Ensemble and the Moral Conundrum of WORTH – Leslie Combemale interviews

Based on the memoir What is Life Worthby Ken Feinburg, the lawyer in charge of the 9/11 Victim Compensation Fund, Worth is a fictionalized behind-the-scenes look at how dollar values were assigned to relieve the personal tragedies suffered by those who lost loved ones in the Twin Tower calamity. Starring Michael Keaton as Feinberg, the film is the third feature for director Sara Colangelo, who speaks about its serious theme and brilliant stars.

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THE TRIAL OF THE CHICAGO 7 – Review by Susan Granger

Best known for his sharp, perceptive dialogue, peppered with succinct soliloquies, writer/director Aaron Sorkin has crafted a timely, yet talky tale, utilizing flashbacks and newsreel footage. Free speech and demonstration are interpreted as lawless rioting with the government and its supporters expressing complete faith in the police. Perhaps Sasha Baron-Cohen’s Abbie Hoffman puts it best: “The institutions of government are wonderful things, but right now are populated by some terrible people.”

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THE TRIAL OF THE CHICAGO 7 – Review by Martha K Baker

Those who did not live through the Democratic National Convention in Chicago in 1968 or follow coverage of the trial of seven men, the excellent film, The Trial of the Chicago Seven will read as incredible. Just unbelievable. For starters, men accused of being in a conspiracy had never met before that August. For another, a judge appeared to be unqualified at least, viciously loony-tunes at most.

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AWFJ Movie of the Week, December 12 – December 16, 2016: THE FOUNDER

When a travelling salesman named Ray Kroc discovered a hamburger stand run by two brothers, he caught wind of a golden opportunity and so began the story of McDonalds. It is a tale of mendacity, betrayal and corruption. Opening Dec. 16, AWFJ’s Movie of the Week is The Founder. Read on…

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AWFJ Movie of the Week, July 6-12: MINIONS

Opening July 10, AWFJ’s Movie of the Week is Minions, the spin-off from hit animations Despicable Me and Despicable Me 2, which gives the eponymous yellow critters the spotlight to themselves as they search for the perfect evil boss. Read on…

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