THE DEATH OF ROBIN HOOD – Review by Susan Granger
Writer/director Michael Sarnoski takes a dark, revisionist view of the famed medieval folk hero in The Death of Robin Hood. Gone is every remnant of Errol Flynn’s rascally swashbuckling swordsman, Kevin Costner’s brusque bowman, even Sean Connery’s middle-aged romantic version – and the adventurous Merry Men of Sherwood Forest are nowhere to be found. Instead, Hugh Jackman’s grizzled, gray-bearded Robin Hood is a snarling, solitary, self-loathing outlaw, wearily roaming the barren, muddy 13th century English countryside, tormented by a ‘stole from the rich and gave to the poor’ reputation that, apparently, bore little relevance to reality.
Read more