NUREMBERG – Review by Diane Carson

Though not the first film dramatizing the late 1940s Nuremberg Military Tribunals of Nazi war criminals conducted by American occupying forces in Germany, director Stanley Kramer’s 1961 film Judgment at Nuremberg is, to date, the best known, fictionalized version of one of the twelve Nuremberg trials. Adding another fictionalized but also vital chapter to that history, director James Vanderbilt’s Nuremberg follows WWII psychiatrist and U.S. Army Major Douglas Kelley sent to Nuremberg to determine the psychological fitness of Hermann Göring and other Nazi officers to stand trial. Despite its flaws, this is a powerful, important reminder of the evil that has and still remains within our world.

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NUREMBERG – Review by T.J. Callahan

Those of us of a certain age may think we have heard all the stories of the atrocities of the Holocaust, and why and how it happened, but all generations, current and future, should never stop learning. And there is more to learn.

English philosopher R.G. Collingwood said, “The only clue to what man can do is what man has done.” In Nuremberg, this is what is being fleshed out as U.S.Supreme Court Justice Robert Jackson (Michael Shannon) and Army psychiatrist Douglas Kelley (Rami Malek) work to bring 12 members of the Nazi High Command to trial for war crimes.

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DEATH BY LIGHTNING – Review by Susan Granger

If you’re intrigued by fanaticism and the corruption of political power, binge the new Netflix miniseries Death by Lighting, revolving around the assassination of James A. Garfield, the 20th President of the United States. This historical drama begins in 1969 at the Army Medical Museum where a cleaning crew discovers a jar containing the brain of Charles J. Guiteau who crossed paths with then-Ohio Congressman James Garfield back in 1880.

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NUREMBERG (Middeburg FF 2025) – Review by Leslie Combemale

The first words to appear onscreen in Nuremberg are “Adolf Hitler is dead”. An American soldier relieves himself by spraying urine all over the nazi emblem of a German military vehicle. That certainly sets the stage for a film that dramatizes just one aspect of what happened during and around the Nuremberg trials of 1947. It is directed and written by James Vanderbilt, as based on Jack El-Hai’s book The Nazi and the Psychiatrist. The story is centered on the interactions between psychiatrist Douglas Kelley and Hermann Göring.

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NUREMBERG (TIFF 2025) – Review by Liz Braun

Awards prognosticators have had Nuremberg on their list since even before the film had a world debut at TIFF 2025. Small wonder, given the important historical subject matter and a great cast that includes Russell Crowe, Michael Shannon, Rami Malek and Richard E. Grant. There’s no doubt it has an important message: the atrocities of WWII happened because people let them happen: “They didn’t stand up until it was too late,” as one character says. Given that it’s already too late, let’s hope the film inspires viewers to take a good look around. And stand the hell up.

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CHER HAWRYSH Talks Producing, NUREMBERG (TIFF 2025) and Oscar Buzz- Liz Braun interviews

Producer Cher Hawrysh returns to TIFF on its 50th birthday, some 20 years after she graduated from the Canadian Film Centre’s Producer Residency Program. She’s a graduate of TIFF studio, one of the festival’s elite talent development labs, and Hawrysh also studied at the National Screen Institute and UCLA — but not before finishing a couple of other degrees in journalism and business. The Calgary-born Hawrysh first flexed her storytelling muscle as a broadcast journalist on radio and national TV in Canada. Premiering her latest film, the highly anticipated Nuremberg, at TIFF has been high n her wish list.

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ERIC LARUE – Review by Betsy Pickle

It’s no surprise that actor Michael Shannon’s feature-directing debut is filled with exceptional performances. Shannon is one of the most striking actors of our time, and the cast of Eric LaRue collectively elicits goosebumps throughout the length of the film. Eric LaRue is about the effect on the secondary victims of a small-town school shooting – not the three boys who were murdered but their mothers, and especially on the mother of the shooter, Janice LaRue (Judy Greer). Months after the event, Janice is a shell of a human, barely communicating with her husband, Ron (Alexander Skarsgard), and avoiding contact with other people as best she can.

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THE BIKERIDERS – Review by T.J. Callahan

If you ever thought it would be cool to be part of a motorcycle gang, even just for two hours, then grab a leather jacket, a bottle of Falstaff and a pack of Marlboros as you saddle up for The Bikeriders. A story about Kings of the road, but told by one of their Queens. Based on Danny Lyon’s 1967 photo book of the same name, The Bikeriders is the fictional story of Johnny, a truck driver who wanted to start a motorcycle club, and the gang of “Vandals” he rode around a seedy section of Chicago with. They lived life one day at a time, taking care of business when they needed to.

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THE BIKERIDERS – Review by Diane Carson

The Bikeriders depicts a 1960s Chicago motorcycle gang. As predictable as the sun setting in the west, The Bikeriders features a motorcycle gang revving their bikes, fighting among themselves and with interlopers, and treating women badly. Photojournalist Danny Lyon spent years with the Chicago Outlaws Motorcycle Club in preparation for his 1968 photojournalistic book The Bikeriders which writer/director Jeff Nichols adapted, calling the group The Vandals.

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BULLET TRAIN – Review by Susan Granger

Bullet Train may not be the worst picture of 2022 – but it’s gonna come close! the film, incoherently adapted by Zak Olkewicz from Kotaro Isaka’s 2010 novel Maria Beetle, it’s feverishly directed by David Leitch (Atomic Blonde, Deadpool 2) with bumpy nods to the tenants of Thomas the Train Engine. Since there’s zero character development, the imbecilic, almost non-stop violence is dutifully chronicled by cinematographer Jonathan Sela.

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