WOMEN TALKING – Review by Susan Granger

Best Picture Oscar-nominee Women Talking delves into how solidarity is the key to survival when sexual abuse, including raping four-year-old children, is not only acceptable but condoned through Mennonite religious practices. Set in 2010 on a remote farm in Canada, it revolves around a group of women inhabiting a closed, cultlike, Christian community in which men routinely drug helpless women/children with livestock tranquilizers and sexually assault them in the middle of the night.

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WOMEN TALKING – Review by Diane Carson

Both intimate and expansive in exploring weighty ideas, Women Talking lingers in its intellectual engagement, never cynical or dismissive, ever provocative and stimulating. Sarah Polley has crafted one of the best films of the decade, never mind of the year.

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MOVIE OF THE WEEK December 21, 2022: WOMEN TALKING

Morality, autonomy, agency, and community intersect in writer/director Sarah Polley‘s absorbing drama Women Talking. Literary in its pedigree — it’s adapted from Canadian author Miriam Toews’ same-named 2018 novel — and play-like in its simplicity of setting and scope, the thought-provoking film explores what happens when a group of women in a conservative, isolated religious colony must make a decision that will affect all of their lives forever.

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Polley, McDormand, Gardener and Toews Talk WOMEN TALKING – Leslie Combemale reports

Writer/director Sarah Polley’s new film Women Talking has received nearly universal acclaim from critics. It’s pretty remarkable that a film based on such horrible abuse can have moments of joy and humor, but that was baked into the novel by Miriam Toews, on which the screenplay is based. In advance of the film’s release, Toews, writer/director Sarah Polley, Frances McDormand (co-star of the movie and one of its producers), and Dede Gardner, president of Plan B, got together for a spirited discussion and virtual Q&A about Women Talking. Those taking part were asked about the process of interpreting the true story and how it took shape.

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WOMEN TALKING – Review by Liz Whittemore

Sarah Polley’s cinema adaptation of Miriam Toews’ novel Women Talking translates with astonishing power. A push and pull between faith and feminism, the story centers on three generations of Mennonite women who re trying to come to terms with the sexual and physical violence they suffer within their small community. After years of sweeping the assaults under the rug in fear of the community’s patriarchal dominance and tradition, the women convene, in secret, to discuss their fate and that of their female compatriotes.

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WOMEN TALKING – Review by Susan Wloszczyna

Those who enjoy ensemble dramas will likely appreciate filmmaker Sarah Polley’s Women Talking – especially those who support the #MeToo movement and who will gladly listen to some talented ladies who have a huge decision to make. In 2010, the women of a community who have had enough must make a decision about leaving their isolated Mennonite colony that allows the men to drug and rape the women while bloodily beating them in the night, initially blaming an animal like a goat or Satan or attributing the physical assaults as acts of female imagination.

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ALL MY PUNY SORROWS – Review by Valerie Kalfrin

If you’ve lost someone to suicide, All My Puny Sorrows is not a film to watch. I mean no disrespect to writer/director Michael McGowan or the talented cast. The performances are strong all around, especially from Alison Pill as a woman painfully and poignantly trying to convince her sister that life is worthwhile. Some viewers will nonetheless find this too much to endure.

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