Female Film Critics 24/375
Nothing is simple and straightforward and uncontroversial in 2020, not even a live-action remake of a popular Disney animated film. Whether intended to or not, the new Mulan has achieved one of the essential goals of any work of art in provoking thoughtful conversations that transcend but are illuminated by the story we see on whatever screen we see it on.
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Obviously inspired by imaginative styles of Chinese filmmakers like Zhang Yimou and Tsui Hark, director Niki Caro has eliminated the bouncy tunes and talking animals and delves into the theme of patriarchy in this exciting, action-packed adventure.
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This isn’t one of Disney’s shot-for-shot, song-for-song live-action remakes. Rather, Niki Caro’s Mulan is a serious, often-intense reimagining of the ancient Chinese ballad that also inspired the studio’s 1998 animated hit. More Crouching Tiger, Hidden Dragon than Disney Princess story, it’s a beautifully filmed epic that gives Hua Mulan increased agency and confidence. Mulan is a hero who may hail from olden times, but speaks to our own.
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In the hands of Niki Caro, this live action version is a visually-stunning, well-written, high-action war epic that is must-see family entertainment. With a budget of $200 million, – the most for any film helmed by a female – the high-flying stunts, the gorgeous scenery (courtesy of China and New Zealand), the highly choreographed battle scenes, the excellent special effects – all fairly scream that this is one impressive production.
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Director Niki Caro’s live-action remake of Disney’s beloved 1998 animated Mulan is by far the most ambitious and rewarding of the studio’s recent remakes. It remains faithful to the story, with its ancient origins, while giving it a modernity and a relevance that injects it with new life. It’s an old-fashioned battle epic with a solid female empowerment core.
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It looks like 2020 could be a landmark year for women making moview. Five of the biggest titles scheduled for release next year — including all four major superhero movies on the slate — will be directed by women and are femme-centric.
Read moreGreta Gerwig’s ‘Lady Bird’ becomes best-reviewed film on Rotten Tomatoes. Disney chooses Liu Yifei to be its live-action ‘Mulan,’ to
Read morePolygraph’s impressive recently released analysis of 2,000 film scripts broken down by gender and age puts date behind the anecdotal
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