MOVIE OF THE WEEK February 8, 2019: WHO WILL WRITE OUR HISTORY

motw logo 1-35Every single Jew who died during World War II at the hands of Hitler and his Nazis had a story to tell — and the fact that so many of those stories died with them is an unfathomable tragedy. But some of their stories survived, including those preserved by the brave Polish Jews who risked their lives to create the Oyneg Shabes Archive. This astounding cache of documents and artifacts from the Warsaw Ghetto is the subject of Roberta Grossman’s moving, fascinating documentary Who Will Write Our History.

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MOVIE OF THE WEEK February 1, 2019: RUST CREEK

motw logo 1-35Smart, strong, and determined, college senior Sawyer (Hermione Corfield) is no victim. But she is someone who finds herself in the wrong place at the wrong time in Jen McGowan’s tense survival thriller “Rust Creek” — and what happens as a result will ensure that you never leave home without rock-solid directions (or a backup phone battery) again.

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MOVIE OF THE WEEK January 25, 2019: ROMA

motw logo 1-35Winner of the AWFJ’s 2018 EDA awards for Best Film and Best Non-English Language Film (as well as Best Director, Best Cinematography, and Best Editing), Alfonso Cuaron’s “Roma” is a lushly filmed, beautifully specific slice-of-life drama that presents its central female characters with love and compassion. The story centers on Cleo (newcomer Yalitza Aparicio), the cook/maid/nanny to an upper middle class family living in Mexico City’s Roma district in the early 1970s.

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MOVIE OF THE WEEK January 4, 2019: ON THE BASIS OF SEX

motw logo 1-35Most superhero origin stories don’t involve late-night typewriter sessions and legal arguments — but Ruth Bader Ginsburg is no ordinary superhero. Director Mimi Leder’s On the Basis of Sex offers viewers a glimpse of RBG’s life before she became notorious, when she was “just” a smart, tenacious lawyer (as embodied by Felicity Jones) who was determined to fight for gender equality.

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MOVIE OF THE WEEK December 14, 2018: DUMPLIN’

motw logo 1-30Set to a peppy, empowering soundtrack of Dolly Parton hits, director Anne Fletcher’s Dumplin’ is an appealing coming-of-age dramedy about a plus-sized teen who confronts stereotypes — and her own rocky relationship with her beauty queen mother — head-on by entering a small-town Texas pageant. Willowdean “Will” Dickson (Danielle Macdonald) loves her mom, Rosie (Jennifer Aniston), but they couldn’t be more different.

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MOVIE OF THE WEEK November 30, 2018: Best 2018 #MOTWs

motw logo 1-35.AWFJ’s Movie of the Week focuses attention on excellent films directed by women and/or centered on the stories of complex and fully realized women characters who are grappling — directly or metaphorically — with the issues women face in daily life. From January 1 to November 23 of this year, we have designated 48 Movie of the Week films. All of these have had strong women characters and 36 of them have been directed by women. We heartily applaud the variety of style and story, we honor the moviemakers who’ve brought them to the screen. As year end holidays approach and the movie awards season heats up, Team #MOTW members revisit our selections to suggest their favorites for immediate viewing.

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MOVIE OF THE WEEK November 16, 2018: BECOMING ASTRID

motw logo 1-35When you hear the name “Pippi Longstocking,” you likely immediately picture a vivacious, free-spirited Scandinavian scamp with red braids and a talent for mischief. But what about her creator, celebrated Swedish author Astrid Lindgren? In Becoming Astrid, director/co-writer Pernille Fischer Christensen reminds us that the authors behind some of the world’s most beloved children’s book characters were living, breathing people with complicated lives and all-too-human struggles.

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MOVIE OF THE WEEK, November 2, 2018: WHAT THEY HAD

motw logo 1-35What They Had, the first feature from actress-turned-writer/director Elizabeth Chomko, is a stirring family drama in which adult siblings, Bridget (Hilary Swank) and Nick (Michael Shannon) are trying to cope with their mother’s (Blythe Danner) progressive dementia and their father’s (Robert Forster) denial of her disability. Chomko’s well-crafted script and sensitive direction, and the superb performances from the stellar ensemble bring a balance of heartbreak and humor to this painful and entirely relatable situation.

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Horror Movies and Kids: A Scary Combination — Betsy Bozdech, Brandy McDonnell, Jennifer Merin, Nell Minow and Liz Whittemore comment

It’s not realistic to expect that we can shield kids from scary or gory content forever. And, in fact, it can be counterproductive to prevent children from seeing any kind of conflict, loss, or trauma on screen. Far better to use these moments, when they come, as opportunities to help them through hard stuff in a safe place. Continue reading…

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MOVIE OF THE WEEK October 19, 2018: CAN YOU EVER FORGIVE ME?

Melissa McCarthy trades pratfalls and slapstick for wry wit and introspection in Marielle Heller’s keenly observed biopic “Can You Ever Forgive Me?” McCarthy plays biographer Lee Israel, whose brief time in the Manhattan publishing scene’s spotlight has passed, leaving her bitter, lonely, and strapped for cash, which ultimately leads to a life of literary crime. It’s a compelling role for McCarthy, who seems to relish the opportunity to take on more serious material.

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