MOVIE OF THE WEEK October 19, 2018: CAN YOU EVER FORGIVE ME?

Melissa McCarthy trades pratfalls and slapstick for wry wit and introspection in Marielle Heller’s keenly observed biopic “Can You Ever Forgive Me?” McCarthy plays biographer Lee Israel, whose brief time in the Manhattan publishing scene’s spotlight has passed, leaving her bitter, lonely, and strapped for cash, which ultimately leads to a life of literary crime. It’s a compelling role for McCarthy, who seems to relish the opportunity to take on more serious material.

Read more

MOVIE OF THE WEEK October 12, 2018: SADIE

Moody and pensive, Megan Griffiths’ Sadie isn’t your typical coming-of-age drama. It centers on 13-year-old Sadie (Sophia Mitri Schloss), who’s determined to do whatever it takes to keep her family together, despite her soldier father’s long deployment overseas and her mother, Rae’s (Melanie Lynskey), increasing loneliness and dissatisfaction with her long-distance marriage. Schloss and Lynskey deliver heart wrenching performances in this strikingly femme-centric film which shoots an arrow right into the heart of domestic disruption that results from faraway wars.

Read more

MOVIE OF THE WEEK October 5, 2018: ALL ABOUT NINA

motw logo 1-35Propelled by a raw, powerful performance from star Mary Elizabeth Winstead, Eva Vives’ debut feature All About Nina couldn’t be more timely or relevant. The story of a caustic stand-up comic whose drunken one-night stands and other self-destructive choices mask heartbreaking pain, it will resonate deeply with anyone who’s ever been afraid to let someone else get close.

Read more

MOVIE OF THE WEEK September 21, 2018: COLETTE

Keira Knightley shines as the star of Wash Westmoreland’s “Colette,” a beautifully realized biopic about the early years of the celebrated French writer. Knightly immerses herself in the role, bringing Colette’s personal struggles — and self-awakening — vividly to life within the lavish Belle Epoche environs established with gorgeous sets, costumes and cimenatography.

Read more

MOVIE OF THE WEEK August 24, 2018 : THE BOOKSHOP

motw logo 1-35A woman’s modest but passionate dream of running a book store goes up against small-town politics in Isabel Coixet’s The Bookshop. With stunning performances by Emily Mortimer, Patricia Clarkson, Bill Nighy and yong Honor Kneafsey, this intimate English-to-the-core drama reveals darkness at the heart of a storybook village.

Read more

MOVIE OF THE WEEK August 17, 2018: THE WIFE

motw logo 1-35Glenn Close delivers a brilliant performance in Bjorn Runge’s The Wife. Based on Meg Wolitzer’s eponymous novel about the wife of a newly minted Nobel Prize-winning writer, this closely observed drama follows Close’s Joan and her husband, Joe (Jonathan Pryce), as they travel to Stockholm for his anointing — but will their marriage survive the trip?

Read more

MOVIE OF THE WEEK August 10, 2018: SKATE KITCHEN

motw logo 1-35That Crystal Moselle’s Skate Kitchen often feels more like a documentary than a scripted drama is no surprise, given Moselle’s experience as a documaker and her cast of real-life NYC skateboarders playing fictionalized versions of themselves. The film delivers its story about female friendship with verve and authenticity.

Read more

MOVIE OF THE WEEK July 27, 2018: PUZZLE

motw logo 1-35Quiet but quite compelling, Puzzle pieces together the affecting story of a midlife suburban wife and mother (played by the brilliant Kelly Macdonald) whose innate talent for jigsaw puzzling pushes her beyond the borders of her humdrum domestic routine into an adventure of self-discovery.

Read more

MOVIE OF THE WEEK July 13, 2018: DARK MONEY

motw logo 1-35If you’re already feeling cynical about the current state of our country, fair warning: Dark Money isn’t going to lighten your mental load. Kimberly Reed’s intelligent documentary is an important, timely expose of the dangers that shady funding of political campaigns poses to the democratic ideals that many Americans hold dear.

Read more

MOVIE OF THE WEEK June 29, 2018: LEAVE NO TRACE

motw logo 1-35Debra Granik’s Leave No Trace is a gripping drama about a teenage girl living with her dissident father in survivalist mode in the woods, shunning society until authorities force them to enter the mainstream and conform. Granik’s subtle style creates an environment of fear, without relying on violence or dystopian elements.

Read more