MOVIE OF THE WEEK April 19, 2019: BE NATURAL – THE UNTOLD STORY OF ALICE GUY BLACHE

motw logo 1-35Briskly paced and packed with fascinating information about one of film’s true pioneers, Pamela B. Green‘s Be Natural: The Untold Story of Alice Guy-Blache is a crash course in film history — or, more accurately, film herstory. Because, as it turns out, the roots of cinematic storytelling are as feminine as they can be.

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MOVIE OF THE WEEK April 12, 2019: GIRLS OF THE SUN

motw logo 1-35A determined mother prepares to battle an extremist regime in desperate hopes of finding and rescuing her young son, who was torn from her by the same oppressors who turned her into a sex slave. No, it’s not The Handmaid’s Tale — it’s director Eva Husson’s powerful Girls of the Sun, which is based on all-too-real circumstances in present-day Kurdistan.

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MOVIE OF THE WEEK March 21, 2019: THE BRINK

It’s no exaggeration to say that Steve Bannon quickly became one of the most reviled figures in Donald Trump’s inner circle during the 2016 election and the early days of Trump’s presidency. Cagey and clever, Bannon never seemed to make a move that wasn’t completely calculated. So you have to wonder what his motivation was to allow filmmaker Alison Klayman and her cameras into his life to film The Brink, an intimate documentary that follows Bannon from 2017 through the historic 2018 midterm elections.

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AWFJ ROUND TABLE: Defining Feminist Film Criticism

The term ‘feminism’ and the descriptor ‘feminist film critic’ are in frequent use these days, as the women in film movement stirs debate and demands change in the the movie industry. Women film critics are, like women working in all aspects of the industry, marginalized not only by disparity in employment opportunities, but also in the overall attitude — a lack of seriousness — with which our reviews and commentaries are evaluated. Reputable reports support this assertion with stats, and women film critics feel it in our guts 24365

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MOVIE OF THE WEEK March 1, 2018: SAINT JUDY

SAINT JUDY is director Sean Hanish’s fact-based drama about immigration attorney Judy Wood (Michelle Monaghan), whose tenacity, empathy, and intelligence

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MOVIE OF THE WEEK February 22, 2019: WOMAN AT WAR

motw logo 1-35Having a fearless, independent, complicated middle-aged woman at the center of this original comedy/drama is reason enough to distinguish the Icelandic film Woman at War. That director Benedikt Erlingsson, working from a script he wrote with Ólafur Egill Egilsson, has managed to make a film about environmental activism in the Icelandic countryside that’s fresh, quirky and compelling is an added bonus.

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MOVIE OF THE WEEK February 8, 2019: WHO WILL WRITE OUR HISTORY

motw logo 1-35Every single Jew who died during World War II at the hands of Hitler and his Nazis had a story to tell — and the fact that so many of those stories died with them is an unfathomable tragedy. But some of their stories survived, including those preserved by the brave Polish Jews who risked their lives to create the Oyneg Shabes Archive. This astounding cache of documents and artifacts from the Warsaw Ghetto is the subject of Roberta Grossman’s moving, fascinating documentary Who Will Write Our History.

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MOVIE OF THE WEEK February 1, 2019: RUST CREEK

motw logo 1-35Smart, strong, and determined, college senior Sawyer (Hermione Corfield) is no victim. But she is someone who finds herself in the wrong place at the wrong time in Jen McGowan’s tense survival thriller “Rust Creek” — and what happens as a result will ensure that you never leave home without rock-solid directions (or a backup phone battery) again.

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MOVIE OF THE WEEK January 25, 2019: ROMA

motw logo 1-35Winner of the AWFJ’s 2018 EDA awards for Best Film and Best Non-English Language Film (as well as Best Director, Best Cinematography, and Best Editing), Alfonso Cuaron’s “Roma” is a lushly filmed, beautifully specific slice-of-life drama that presents its central female characters with love and compassion. The story centers on Cleo (newcomer Yalitza Aparicio), the cook/maid/nanny to an upper middle class family living in Mexico City’s Roma district in the early 1970s.

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