WEEK IN WOMEN: Rebecca Hall is Guest Director at Telluride Film Fest 2026 – Brandy McDonnell reports

Acclaimed British-American actress, writer and director Rebecca Hall is serving as guest director for the 2026 Telluride Film Festival in Colorado. Hall is selecting a series of films to present at the 53rd festival, running Sept. 4-7. Festival organizers annually select a top film enthusiast to join in the creation of the festival’s program lineup. The guest director serves as a key collaborator in Telluride Film Festival’s programming decisions, bringing new ideas, unique perspectives and overlooked films to the festival. In keeping with Telluride Film Festival tradition, Hall’s film selections, along with the rest of the festival lineup, will remain a secret until just before opening day.

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THE SECRET WOMAN – Review by Susan Granger

Netflix’s intriguing Danish psychological thriller The Secret Woman introduces a lady with amnesia who learns that she’s not only a missing heiress but also married and the mother of a young son. The story begins in Denmark as an adult female is climbing over the railing of a huge bridge with someone in pursuit; terrified, she jumps off, just as a cargo ship passes below. Cut to: Louise Andersen who runs a small café on the idyllic Norwegian island of Hidra with her novelist fiancé Joachim. Their peaceful life is shattered when a stranger appears, insisting that her real name is Helene, not Louise.

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​WEDNESDAY: Season 2 – Review by Susan Granger

​With the Emmys approaching, attention must be paid to Wednesday: Season 2 with 12 nominations; it has become the second most-watched English language series in Netflix history – with Catherine Zeta-Jones and Luis Guzman as Morticia and Gomez with Isaac Ordonez as Pugsley. In the title role, Jenny Ortega’s nomination as Outstanding Comedy Series Lead Actress is a notable achievement in Latina representation since she’s the third and youngest Latina to receive this honor, following America Ferrera and Rita Moreno. Focusing on macabre horror, ​Wednesday re-visits the gothic world of the Addams family’s morbidly stoic daughter as she navigates teenage life at Nevermore Academy while sinister forces – both outside and inside the school -conspire against her.

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DON’T SAY GOOD LUCK – Review by Sarah Ward

Don’t Say Good Luck isn’t astute and thoughtful solely because it features Melanie Lynskey. That the Yellowjackets star was the only actor that filmmaker Julia Hart wanted (and even considered) for the movie’s second-biggest role is a perfect piece of shorthand, however. How do you instantly signal to the watching world that a film values emotional honesty, and that it isn’t afraid to confront life’s heartaches and struggles with authenticity? How do you convey that a movie that plays with plenty of familiar elements — such as telling a teen coming-of-age tale, and one about staging a musical at that, while unfurling an illness story — won’t settle for standard? You Are So Not Invited to My Bat Mitzvah’s Sunny Sandler is Don’t Say Good Luck’s lead, but Lynskey is its lighthouse.

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THE LAST HOUSE – Review by Susan Granger

Horror has always been one of the most popular genres, beginning with Dracula and Frankenstein in the 1930s and German Expressionist films like Nosferatu in the silent era. Traditionally, ‘horror’ features a monster, perhaps supernatural, while the subgenre of ‘psychological horror’ gradually builds tension by focusing on the mental, emotional and physical states of its characters. The Last House encompasses both, opening with Arthur C. Clarke’s quote: “How inappropriate to call this planet Earth when it is clearly Ocean,”

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LITTLE HOUSE ON THE PRAIRIE – Review by Susan Granger

Loosely based on semi-autobiographical novels and Michael Landon’s ‘70s TV series, Netflix’s reboot of Little House on the Prairie is a gentle, family-friendly glimpse of American frontier life, as the Ingalls family head for Independence, Kansas, in 1869 to stake a claim for their own homestead.

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THE ENGLISH GAME – Review by Susan Granger

Astutely timed to coincide with World Cup enthusiasm, Netflix’s The English Game traces the origins of ‘association football’ in England, which evolved into the sport known as soccer in the United States. Prolific screenwriter Julian Fellowes (Gosford Park, Downton Abbey, Belgravia, The Gilded Age) combines fact with fiction in this six-part historical mini-series set in a Lancashire mill town in the late 19th century when two ‘hired’ Scottish players catapulted the local Darwen working-class football club into contention for the coveted FA (Football Association) cup.

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CHRIS & MARTINA: THE FINAL SET – Review by Lois Alter Mark

I can sum up my reaction to Chris & Martina: The Final Set, Netflix’s new documentary about two of the greatest tennis players of all time, in two words: Love, love. Over the course of 15 years, Chris Evert and Martina Navratilova played a record-setting 80 matches against each other, living out one of the greatest rivalries in sports history. But what makes their competition so inspiring and documentary-worthy is not just the pinnacle of excellence these athletes reached but the deep friendship that resulted from it and the way the two women are still there for each other all these years later as they fight a common enemy: cancer. Even if you’ve never watched a tennis match, it’s impossible not to be deeply moved by these two women. Gitlitz aces the film’s most important contribution, which, according to 22-time Grand Slam champion, Pam Shriver, is that it proves that true sportsmanship really exists. And that’s a lesson we all need to learn now more than ever.

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CHRIS & MARTINA: THE FINAL SET – Review by April Neale

Netflix’s Chris & Martina: The Final Set is ostensibly about tennis legends Chris Evert and Martina Navratilova, but by the time the credits roll, it becomes something far more profound: a meditation on time, mortality, friendship, and the realization that the people who challenge us most may understand us better than anyone else. At its heart, the documentary celebrates the essence of true sportsmanship. For decades, Evert and Navratilova battled fiercely for supremacy on the court, pushing each other to extraordinary heights and forever changing women’s tennis. Yet the film reveals that their greatest journey was not toward championships, rankings, or records, but toward understanding one another. These two lionesses fought not only for titles but for their lives, their identities, their loves, and their place in history. As the years pass and both women confront cancer, loss, and the realities of aging, they come full circle, evolving from rivals into each other’s fiercest advocates and most trusted confidantes.

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WEEK IN WOMEN: Sheryl J. Anderson’s SWEET MAGNOLIAS Season 5 on NETFLIX

Sheryl J. Anderson is the creator, showrunner and executive producer for the hit series Sweet Magnolias, which is heading to New York City for its highly anticipated Season 5 on Netflix. Based on the popular book series by New York Times best-selling author Sherryl Woods, Sweet Magnolias follows three lifelong best friends as they juggle relationships, family and careers in the charming small town of Serenity, South Carolina. The fan-favorite “comfort drama” continuously ranks among Netflix’s Global Top 10 list in more than 60 countries.

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