A MISTAKE – Review by Nadine Whitney

New Zealand director Christine Jeffs returns to home soil for her medical drama A Mistake starring Elizabeth Banks as Liz Taylor, a skilled surgeon in a city hospital whose life and career are thrown into a downward spiral after a mistake is made in a surgery opens her up to unwarranted professional scrutiny. A Mistake isn’t helped by the fact much of the story is nonsense. A published list of surgeons’ mortality rates for “rankings” that anyone can have access to is a fantasy. A surgeon who had witnesses proving she did nothing wrong wouldn’t be suspended. Investigations need strong evidence of negligence before they are considered let alone undertaken. And, unless the hospital in which Liz works has approximately twelve patients or fewer, little else could account for the near silence of the environment.

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A MISTAKE – Review by Betsy Pickle

How do you respond to your mistake? Do you make excuses? Do you find a scapegoat? Do you take responsibility? These reactions are at the heart of A Mistake. Based on a novel by Carl Shuker, A Mistake is a universal story set in Auckland, New Zealand. Elizabeth Banks plays Elizabeth “Liz” Taylor, an unglamorous but supremely gifted surgeon who makes life-and-death decisions daily. Liz exudes strength and confidence, and she provides a calm presence for her team during her surgeries. When her patient dies, Liz’s worldview is shaken and she finds her life spiraling out of control.

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NEVER LOOK AWAY (Sundance FF 2024) – Review by Leslie Combemale

New Zealand actor/producer Lucy Lawless has recently become as known for her activism as she is for her onscreen roles, and she engages that part of herself in the documentary Never Look Away, her feature directorial debut. Ever a champion of equal rights and celebrating women’s history, Lawless tackles the story of iconoclastic photojournalist Margaret Moth, who was credited with being the first news camerawoman in New Zealand.

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NEXT GOAL WINS – Review by Nadine Whitney

The best one can say about Next Goal Wins is it’s cute. The worst would require a complete breakdown of where Taika Waititi is stumbling as an artist. Too many jokes far too often that many of them just fail to land. There is some great writing, some wonderful performances, but Next Goal Wins is a cluttered mess which could have benefitted from slowing its madcap pace. It certainly isn’t the worst thing either Waititi or Michael Fassbender have done, but it is also far from the best. Waititi has scored his own goal by being remarkably repetitive. Next Goal Wins is not a winner.

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MR ORGAN – Review by Nadine Whitney

“If he went down to Hell, Satan would be up knocking on God’s door saying get me away from Michael,” says one of the interviewees in David Farrier’s wildly disturbing documentary Mister Organ. New Zealand journalist and documentarian, Farrier isn’t afraid to deal with odd people – for example in Tickled or his Netflix series Dark Tourist, but little did he know that when he started investigating some predatory wheel-clamping in a posh suburb in Auckland, he’d attract the attention of one of New Zealand’s most psychologically dangerous men – Michael Organ (AKA Micheal Organe, AKA Michael Organ-fake-made-up-royal-lineage). In 2016 he accidentally invited the devil to his doorstep and even now Farrier is trying to escape him.

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MILLIE LIES LOW – Review by Justina Walford

Millie Lies Low goes headlong into the mistakes people make. Millie is on her way to New York for a prestigious internship, but she has a panic attack and gets stuck in her hometown. Instead of telling her friends and family that she missed her flight and can’t afford another one, she decides to fake her trip to New York on social media. Her life devolves from there, with each secretive misstep leading to worse and worse consequences. Big mistakes leading to bigger mistakes.

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MOVIE OF THE WEEK February 24, 2023: JUNIPER

Sam is hurting, still grieving the fairly recent death of his mother and angry at his father, Robert , for not finding a way to bridge the ensuing distance between them. In fact, Robert has packed Sam off to boarding school — and now expects Sam to spend his holidays helping care for his grandmother, Ruth, a former globe-trotting photo journalist who now needs somewhere to stay after suffering a particularly nasty broken leg. Not only is Ruth distant and irascible, but she’s also an alcoholic who literally hurls a glass at Sam when he dares to water down her drink. Charlotte Rampling is brilliant in the role.

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JUNIPER – Review by Cate Marquis

Charlotte Rampling steals the show as a feisty alcoholic grandmother in the New Zealand cross-generations family drama Juniper. She is a joy to watch in this little drama, and although the ending is a bit too neat in director Matthew Saville’s semi-biographical film, Rampling shines like the sun from start to finish.

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MURU (TIFF 2022) – Review by Ulkar Alakbarova

Muru is a solid thriller inspired by true events of police raids that took place in 1961 and 2007 in New Zealand. It follows a local police Sergeant “Taffy” Tawharau (Cliff Curtis) who must make a tough decision to assist the Government with a police raid or stand by his community and prevent possible bloodshed. When the government launches an armed raid on Taffy’s community called Ruatoki on a school day, things go terribly wrong. What starts as a mission to find and arrest a possible local terrorist who threatened to attack the Prime Minister turns into a violent altercation with casualties that could have been prevented.

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Tearepa Kahi and Cliff Curtis on MURU (TIFF 2022) – Ulkar Alakbarova interviews

Racism, corruption, discrimination, greed and power. They all go hand-in-hand. We hope that at some point the world we live in will change for the better. But it does not happen. Are we just naïve to hope and still believe in miracles? The story told in Muru, directed by Tearepa Kahi happened not too long ago. But when you look at it, you begin to ask yourself – how is it even possible for something like this to occur in our modern times? Not revealing much, I had the great pleasure of sitting down with director Tearepa Kahi and actor Cliff Curtis, who provided insights into the film much better than I could.

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