PIG – Review by Susan Granger

Nicolas Cage delivers a heartfelt, realistic performance as shaggy, grizzled Robin ‘Rob’ Feld, a mysterious truffle-hunter who lives alone in a cabin deep in the Oregon wilderness with his beloved pig. One night, when his rustic hut is invaded, Rob is badly beaten and his prized pig is stolen. Determined to find and rescue his treasured friend, anguished Rob takes a road trip into Portland, where he’s forced to confront his past.

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PIG – Review by Diane Carson

Writer/director Michael Sarnoski’s feature Pig is a meditative, cinematic poem on loneliness, love, and loss. It unfolds through a powerful blend of hallucinatory, surrealistic scenes juxtaposed with realistic, unnerving confrontations. Expressionistic lighting and emotionally evocative sound add to the impact of a presentation teeming with food and nature metaphors, all enhanced by minimal, yet consequential dialogue.

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COLOR OUT OF SPACE – Review by Susan Granger

Inspired by a 1927 H.P. Lovecraft short story, this sci-fi terror tale revolves around former city dwellers – Nathan (Nicolas Cage) and Theresa (Joely Richardson) Gardner – who have moved to the country with their three children: Lavinia (Madeline Arthur), Benny (Brendan Meyer) and Jack (Jullian Hilliard). Sound relatable?

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BETWEEN WORLDS – Review by Alexandra Heller-Nicholas

With critics and audiences barely able to catch their breath after Mandy – the intoxicating delight that was Panos Cosmatos’s spectacular exercise in woman-centred world-building – Maria Pulera’s Between Worlds has shown that when it comes to the oft-cited Nicolas Cage renaissance, the actor has only just begun.

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