MOVIE OF THE WEEK April 16, 2021: HOPE

Maria Sodhal follows up 2010’s Limbo with another quiet yet powerful exploration of relationships under pressure; in this case, a shocking cancer diagnosis. Andrea Braein Hovig and Stellan Skarsgaard put in sterling performances as the long-term couple whose stale relationship is shaken up by the terminal illness. Writer/director at Sodhal – who drew on her own experiences – eschews overwrought melodrama and obvious emotional cues in favour of deeply felt observation, and delivers a film of raw realism and genuine humanity.

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MOVIE OF THE WEEK April 9, 2021: SLALOM

As challenging — and stark — as the mountains its main character hurtles down in the pursuit of athletic glory and personal validation, French filmmaker Charlène Favier’s debut feature Slalom is an unflinching look at the impact of what happens to a vulnerable teenage girl when an authority figure abuses his authority and position of power.

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MOVIE OF THE WEEK March 19, 2021: ROSE PLAYS JULIE

In Rose Plays Julie the anxiety of a daughter’s discontent and her birth mother’s minefield of memories begin to run parallel. The film-makers layer in visuals of euthanasia, excavation, dissection, and horror to amplify a suspense that otherwise might’ve been melodrama. The result is an engrossing thriller made edgier by the performances of Ann Skelly and Orla Brady. From beginning to end, Rose Plays Julie is an effective examination of “what if” and sexual assault, one that leaves no doubt about the harm the latter causes, which is visceral and frightening and long lasting.

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MOVIE OF THE WEEK February 5, 2021: TWO OF US

Boasting powerful performances by stars Barbara Sukowa and Martine Chevallier, Two of Us is a poignant, empathetic drama about two aging women who live in Paris whose love has lasted for decades but who’ve never felt free to live the life they dream of. Nina (Sukowa) and Madeline (Chevallier) don’t have especially ambitious goals for their retirement: All they want is to live together, openly, in Rome, as the couple they’ve been in secret for so long.

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MOVIE OF THE WEEK January 29, 2021: TRUE MOTHERS

Motherhood — in all its complexity — is at the heart of Naomi Kawase’s drama True Mothers, which tells the intertwined stories of Hikari Katakura (Aju Makita) and Satoko Kurihara (Hiromi Nagasaku). Their circumstances are very different, but they both fiercely love the same little boy, and that love ultimately helps each better understand the other.

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MOVIE OF THE WEEK December 25, 2020: ONE NIGHT IN MIAMI

Anyone who thinks female directors should stick to telling women’s stories is a) sexist and b) in for a surprise when they watch Regina King’s powerful directorial feature film debut One Night in Miami. Based on Kemp Powers’ same-named 2013 play, it imagines the fascinating conversation that might have happened between activist Malcolm X, boxer Cassius Clay, singer Sam Cooke, and NFL star Jim Brown had they all found themselves in the same place on the night of February 25, 1964.

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MOVIE OF THE WEEK December 4, 2020: LUXOR

Centering on a powerful performance by Andrea Riseborough, Zeina Durra’s dreamy, introspective romantic drama Luxor explores what-ifs and second chances as its characters explore ancient Egyptian ruins, finding their way to a place of connection and understanding. Riseborough plays Hana, a British doctor who’s come to the city of Luxor to rest and recuperate from the stresses of her efforts as an international aid worker.

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MOVIE OF THE WEEK November 27, 2020: AMMONITE

Human connection brings warmth and joy to a bleak time and place in Francis Lee’s Ammonite, which centers on renowned British paleontologist Mary Anning (Kate Winslet) and her relationship with a woman named Charlotte Murchison (Saoirse Ronan). While its details may be more speculation than fact, there’s no denying its message about the transformative power of kinship and attraction.

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MOVIE OF THE WEEK November 20, 2020: ANTIGONE

Quebecois writer/director Sophie Deraspe brings fresh life to ancient source material with Antigone, her powerful update of Sophocles’ classic play. Trading a Greek chorus for smartphone-wielding teens and city-state rivalries for clashes related to gang loyalty, it centers on the smart, resourceful titular teen, played rivetingly by Nahema Ricci.

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MOVIE OF THE WEEK November 13, 2020: CODED BIAS

Designed largely by white men, it turns out that a lot of facial-recognition programs are best at recognizing…white men. So when those technologies are used to scan the faces of women and people of color, they’re far more likely to make incorrect associations and conclusions. Inconvenient if you want to use your face to open a biometric lock; potentially devastating if a database suggests you’re a terrorist.

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