MOVIE OF THE WEEK May 8, 2020: A SECRET LOVE

There may be no crying in baseball, but you’ll be hard pressed not to shed a tear or two while watching A Secret Love. Chris Bolan’s moving documentary details the 65-year relationship of Terry Donahue and Pat Henschel, which saw them through everything from traveling with the All-American Girls Professional Baseball League to the relief of coming out to family members in their 80s.

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MOVIE OF THE WEEK April 10, 2020: THE OTHER LAMB

Stylish, intense, and thought-provoking, Malgorzata Szumowska’s The Other Lamb is both a gripping coming-of-age story and a dark, disturbing fable about a community of women who find the necessary strength to push back against and escape from a stifling patriarchy that dictates everything about their behavior and expectations in life.

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MOVIE OF THE WEEK March 13, 2020: LOST GIRLS

Featuring a fearless star performance from Amy Ryan, documentary veteran Liz Garbus’ first dramatic feature, Lost Girls, is a wrenching story about a mother’s search for truth — and justice. It’s based on the real-life story of Mari Gilbert, a New York woman whose dogged determination to find out what happened to her missing daughter led to the discovery of serial killings in Long Island.

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MOVIE OF THE WEEK March 2, 2020: SWALLOW

Carlo Mirabella-Davis’ tense drama Swallow — about a repressed young wife who finds herself compelled to eat unusual and even dangerous things — gives new meaning to the phrase “eating your feelings.” Desperate to please her handsome husband and his wealthy parents, Hunter (Haley Bennett) tries to create the perfect life in their designer-ready home. But things are far from perfect under the surface.

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MOVIE OF THE WEEK January 31, 2020: THE ASSISTANT

Not all #MeToo moments are shocking or dramatic; one of the most terrible things about the culture that’s fostered so much abuse, fear, and doubt is its very insidiousness. All of that is made quite clear in The Assistant, writer/director Kitty Green’s eye-opening drama about a day in the life of an entry-level Hollywood hopeful.

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MOVIE OF THE WEEK January 17, 2020: CHICHINETTE: THE ACCIDENTAL SPY

Telling your story — bearing witness to your own life and those of the people you’ve loved (and lost) — is one of the most powerful things someone can do, especially when they’ve lived through historic events. But it’s not always easy, as we learn from watching Nicola Hens’ engaging documentary Chichinette: The Accidental Spy about former WWII spy Marthe Cohn, who, now nearly 100 years old, still travels the world sharing her experiences with others.

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MOVIE OF THE WEEK December 20, 2019: WHAT SHE SAID: THE ART OF PAULINE KAEL

In an era in which a cacophony of critical voices competes for potential moviegoers’ time and attention — and yet not nearly enough of those voices represent the diversity of the public they’re speaking to — Pauline Kael’s iconic status seems like even more of an achievement. Her remarkable career is the subject of Rob Garver’s insightful documentary What She Said: The Art of Pauline Kael.

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MOVIE OF THE WEEK Dec 6, 2019: PORTRAIT OF A LADY ON FIRE

A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.

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MOVIE OF THE WEEK November 22, 2019: SHOOTING THE MAFIA

Anyone who’s ever winced at the mob violence and manipulation in The Godfather will quickly realize it has nothing on the real-life crimes of the Italian Mafia, as captured through Letitzia Battaglia’s talented eye and focused lens. The fearless photographer is the subject of Kim Longinotto’s fascinating documentary Shooting the Mafia.

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MOVIE OF THE WEEK November 8, 2019 – HONEY BOY

Part coming-of-age drama, part father-son story, and part therapy, “Honey Boy” is a compelling take on actor Shia LaBeouf’s troubled childhood and controversial behavior as a Hollywood star. Working from LaBeouf’s own script, director Alma Har’el builds sympathy for both LaBeouf and his father without excusing either for their actions.

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