HONEY BOY – Review by Loren King

Alma Har’el, best known for the 2011 documentary Bombay Beach with its intimate moments of beauty in a gritty story about life on the margins, must be credited for the searing, memory-soaked urgency of Honey Boy, her fiction directing debut. What could have been a maudlin melodrama about family dysfunction is instead, despite the heartbreaking and disturbing abusive father-son relationship at the center, a haunting and lyrical memory piece.

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