JIMPA – Review by Valerie KALFRIN

John Lithgow bares all as an aging gay activist in Jimpa, a well-meaning but meandering multigenerational drama partly based on filmmaker Sophie Hyde’s life. As the title character—a family nickname for “Grandpa”—Lithgow models nude, cruises gay bars, and talks with friends about struggles to live openly. He can be blunt to the point of rudeness, calling his nonbinary grandchild “grandthing” or criticizing them for using the word queer, for instance, when he and others fought to use gay without shame. It’s a frank portrait and a tribute to Hyde’s late father, Jim Hyde, to whom the film is dedicated. The problem with Jimpa is that the focus isn’t on Jim alone.

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THE ROSES – Review by Susan Granger

How many ways can a critic warn: “This picture is absolutely awful?”​ Ill-conceived and ineptly scripted, this re-imagining of Warren Adler’s 1981 novel ​The War of the Roses​ and the 1989 Michael Douglas/Kathleen Turner relationship comedy of the same name, is not technically a ‘remake’ because so many of the erratic plot points are different.

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WICKED LITTLE LETTERS – Review by Susan Granger

If profanity doesn’t bother you, Netflix’s Wicked Little Letters is tawdry period comedy at its most delightful. When genteel Edith and other unwitting residents start receiving what could only be described as raunchy, anonymous ‘hate mail,’ suspicions immediately fall on foul-mouthed Rose, an impertinent single mother who lives with her guitar-playing daughter and Black boyfriend.

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THE BEAR Season 3 – Review by Susan Granger

During its first two seasons, The Bear captivated fans and critics alike with its endearing rough-around-the-edges cast, led by Jeremy Allen White’s Carmen “Carmy” Berzatto. Following Carmy’s ongoing uphill battle to revive and totally reinvent his Italian family’s failing Chicago beef sandwich shop, Season 3 focuses on the dysfunctional restaurant kitchen crew as they anxiously await a Chicago Tribune review that could determine the restaurant’s future.

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WICKED LITTLE LETTERS – Review by Lois Alter Mark

Wicked Little Letters is a freakin’ hoot of a film that could just as appropriately have been called ‘Women Cursing.’ Loosely based on a true story, it takes place in a small town in England in the 1920’s – a time pre-social media, when a poison pen letter could easily set off a full blown scandal. That this scandal is fueled by the antics of Olivia Colman and Jesse Buckley is what makes the movie so delicious. Colman plays Edith, a Bible-quoting spinster who lives with her parents. Her father is a nightmare, bossing her around and treating her like a child. When she receives anonymous letters calling her names like “foxy ass old whore,” everyone assumes her rebellious young neighbor, Rose (Buckley), wrote them. With its brilliant casting and all the fun of a British mystery, Thea Sharrock’s Wicked Little Letters is pure delight.

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WICKED LITTLE LETTERS – Review by MaryAnn Johanson

There is nothing that either Olivia Colman or Jessie Buckley could possibly do that wouldn’t be worth watching. And now they butt heads onscreen for the first time. I adore Wicked Little Letters, a future comfort movie for me, a flick to revisit when I’m feeling low and in need of a cheerfully indecent, gloriously naughty pick-me-up.

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WICKED LITTLE LETTERS – Review by Leslie Combemale

What happens when a filmmaker makes a movie and the studio doesn’t know how to market it? Wicked Little Letters, certainly. When they released the trailer, the film looked like a quirky Brit-com led by Olivia Colman and Jessie Buckley spouting pithy one-liners in their 1920’s costumes. Fans of BritBox and Acorn no doubt thought, “What’s not to love?” Be prepared, because that’s not at all what you get with this movie. What you get is dark, dark, and more dark, though delivered with the expertise only the best performers can provide.

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WICKED LITTLE LETTERS (TIFF 2023) – Review by Liz Braun

Wicked Little Letters, a dark comedy about an actual scandal that rocked the village of Littlehampton in 1920, is a comical whodunnit and sting operation that broadcast (and spoof) the racism and misogyny of the era. The film has an exhilarating pace and is funny and broad, placing its social message in a lightweight wrapper for easy consumption. Various over-the-top scenes suggest the performers enjoyed making this movie as much as audiences will enjoy watching it.

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THE BEAR: Season 2 – Review by Susan Granger

Have you been watching FX’s Emmy-nominated series The Bear? The first season introduced a prodigal Manhattan chef, Carmen ‘Carmy’ Berzatto (Jeremy Allen White), who returns home to Chicago after his drug-addicted older brother commits suicide and leaves him the local family sandwich shop. Of the second season’s 10 frenetic episodes, two are outstanding.

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EMPIRE OF LIGHT – Review by Susan Granger

Oscar-and-BAFTA nominated for Best Cinematography, Empire of Light is set in 1981 in Margate, a small seaside town in Britain, where middle-aged Hilary Small (Olivia Colman) is the forlorn second-in-command at the Empire Cinema, a fading movie palace. Accepting his 16th Academy Award nomination, cinematographer Roger Deakins explained, “I think this film is about companionship. Hilary has this world with her fellow workers, that sort of friendship beings something more into her life, an existence without a great horizon.”

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