Olivia Colman

Eva Huson’s steamy and feminist Mothering Sunday is an epic multi-chapter drama that begins in post-World War I England, in a lush and lavish rural enclave where well-to-do upper crusty families are suffering traumatic grief from the deaths of their sons in the war to end all wars. The film focuses its lens on the British class system, particularly on the stiff upper lip ways in which women are expected behave. The plot is sufficiently replete with intriguing complications that keep you engaged and entertained. It might seem a bit soapy, were it not for the authenticity of its concerns, as well as its profoundly well-written and beautifully performed characters. The film is a very welcome invitation to finely crafted, socially conscious escapism.

A marriage of convenience proves inconvenient when Paul, a son of society, and Jane, a maid, fall in love against the rules of 1920s England. The tragic reality of postwar times, sons lost and promising futures destroyed, prominent families fake smile through another lunch together keeping up appearances. But, death and suffering are inescapable. Mothering Sunday is a story of love and loss through the decades.