MOVIE OF THE WEEK December 13, 2019: THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN

A chance encounter brings two women together for a day that neither could have anticipated in Kathleen Hepburn and Elle-Máijá Tailfeathers’ drama The Body Remembers When the World Broke Open. Authentic in every way, from the gritty cinematography to the convincing performances, it’s documentary-like in its frank honesty.

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MOVIE OF THE WEEK Dec 6, 2019: PORTRAIT OF A LADY ON FIRE

A picture is worth a thousand words — and leads to a thousand longing glances — in writer/director Celine Sciamma’s passionate drama Portrait of a Lady on Fire. Set in remote mid-1700s Brittany, it follows the increasingly intense relationship between painter Marianne (Noemie Merlant) and her unknowing subject, Heloise (Adele Haenel), who has just left sheltered convent life.

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MOVIE OF THE WEEK November 22, 2019: SHOOTING THE MAFIA

Anyone who’s ever winced at the mob violence and manipulation in The Godfather will quickly realize it has nothing on the real-life crimes of the Italian Mafia, as captured through Letitzia Battaglia’s talented eye and focused lens. The fearless photographer is the subject of Kim Longinotto’s fascinating documentary Shooting the Mafia.

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MOVIE OF THE WEEK November 15, 2019: ATLANTICS

Dreamy and full of unexpected twists, Mati Diop’s narrative debut Atlantics — Grand Jury Prize winner at the 2019 Cannes Film Festival — is simultaneously a tender tale of star-crossed lovers, an eerie ghost story, and a gritty procedural. That unusual combination keeps it surprising and engaging throughout and underlines writer/director Diop’s notable talent.

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MOVIE OF THE WEEK November 8, 2019 – HONEY BOY

Part coming-of-age drama, part father-son story, and part therapy, “Honey Boy” is a compelling take on actor Shia LaBeouf’s troubled childhood and controversial behavior as a Hollywood star. Working from LaBeouf’s own script, director Alma Har’el builds sympathy for both LaBeouf and his father without excusing either for their actions.

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MOVIE OF THE WEEK November 1, 2019: PARADISE HILLS

Alice Waddington’s lush, imaginative directorial debut builds such a convincing dystopian world that you’d be forgiven for assuming it must be based on some intricate, “Hunger Games”-like series of YA novels. But Brian DeLeeuw and Nacho Vigalondo’s tale of privileged young women at a very unusual “finishing school” called Paradise Hills is a true original.

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MOVIE OF THE WEEK October 11, 2019: DILILI IN PARIS

Michel Ocelot’s Dilili in Paris isn’t your standard animated kids’ fare — not by a long shot. And that’s a good thing. With its sophisticated Belle Epoque setting and parade of cultural and artistic figures and references, it’s almost like taking a trip to a colorful, informative, interactive museum. Which is somewhat apropos, given that we first meet young Dilili (voiced by Prunelle Charles-Ambron) when she’s participating in a living cultural exhibit of the Kanak people.

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MOVIE OF THE WEEK September 27, 2019: RIOT GIRLS

Scrappy and full of style, “Riot Girls” is a memorable first feature from director Jovanka Vuckovic, who shoots for cult-movie status with her story of warring teen factions in an alternate 1995 ravaged by a disease that’s wiped out everyone past the age of pimples and angst.

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MOVIE OF THE WEEK September 6, 2019: TIGERS ARE NOT AFRAID

Gritty and raw, Issa Lopez’ dark urban fairy tale Tigers Are Not Afraid (titled Vuelven in Spanish, which translates to They Come Back) centers on the devastating consequences of the drug trade, showing how the cartels’ criminal ways affect everyone in their path — including children, whose innocence disappears as quickly as the grown-ups in their lives.

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MOVIE OF THE WEEK August 23, 2019: AFTER THE WEDDING

Boasting powerful star performances by Michelle Williams and Julianne Moore and a story with big, emotional twists, Bart Freundlich’s “After the Wedding” is a gender-swapped remake of Susanne Bier’s same-named 2006 Danish drama. It’s a thought-provoking look at life choices, legacy, and motherhood that will stick with you after the credits roll.

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