Female Film Critics 24/375
If the idea of Marisa Tomei as a romance-addicted tugboat captain sounds like your cup of tea, then grab the popcorn and settle in for Rebecca Miller’s She Came to Me, a quirky, well-acted dramedy about the intersecting lives of two families of New Yorkers and the people in their orbit. By turns heartfelt and slightly absurdist, it’s ultimately the kind of cinematic escape from the real world that we all sometimes need.
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Life is not a spectator sport, as the saying goes, and — if you’re doing it right — neither is being part of the Cajun culture. As Abby Berendt Lavoi and Jeremey Lavoi’s loving documentary Roots of Fire makes clear, those who cherish their connection to this culture tend to go all-in, especially when it comes to the toe-tapping, accordion-infused music that’s been played for generations in Louisiana dance halls.
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Prolific author, keen observer, insightful storyteller, compulsive writer, incisive tweeter. Joyce Carol Oates is all of these things and more, as director Stig Björkman makes abundantly clear in his thoughtfully constructed, affectionate documentary Joyce Carol Oates: A Body in Service of Mind. Tracing Oates’ life and career over the course of several decades, Björkman makes it clear that she has well earned her reputation as an iconic American writer.
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Perseverance is at the heart of Sahar Mosayebi’s moving drama Orca, which is based on the true story of Elham Asghari, the Iranian open-water swimmer who defied the legal and cultural limitations placed on women in Iran by making and breaking world records. In the process, she’s helped bring attention to the challenges faced by Iran’s female athletes, who long for the opportunity to compete in all sports, not just the officially sanctioned ones.
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In a USA that’s lucky enough to have strong women like Kamala Harris, Maxine Waters, Alexandria Ocasio-Cortez, Elizabeth Warren, and Katie Porter speaking up, persisting, reclaiming their time, and generally schooling the White male political old guard, it’s important to remember that Bella Abzug did it all first. Jeff L. Lieberman’s engrossing documentary Bella! reminds us what a trailblazer — and force of nature — Abzug was, detailing her impact on American government and culture.
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Juliette Binoche shines as a writer caught between honesty and authenticity in director Emmanuel Carrère’s compelling drama Between Two Worlds. Based on the non-fiction book by French journalist Florence Aubenas, the film explores what happens when an undercover writer with the best of intentions about sharing the realities of working-class life gets closer to her subjects than she planned, threatening both her objectivity and her connection to the community she’s come to feel a part of.
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Part Only Murders in the Building, part Nancy Drew, and part Wednesday, Susie Searches is a charming, appealingly quirky little mystery with some genuinely surprising twists. Stylish and well-acted, this story about an earnest, ambitious armchair detective (played by Kiersey Clemons) marks the feature directorial debut of Sophie Kargman, who co-wrote the screenplay with William Day Frank based on their 2020 short, also titled Susie Searches, in which Kargman originated the title role.
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Does any part of you still doubt that the United States’ relationship with the Indigenous people who called North America home long before anyone ever thought of naming it “America” in the first place is based in duplicity, theft, and genocide? If so, then watching Laura Tomaselli and Jesse Short Bull’s compelling Lakota Nation Vs. United States will make it crystal clear that, as one interviewee eloquently puts it, “Fundamentally, the intent of the United States is to gain access to native land.” Lakota Nation Vs. United States is an ardent call for justice.
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The human body comes in so many shapes, sizes, colors, and configurations that the idea of anyone believing that there are “right” and “wrong” ways to be a person is — or should be, anyway — ridiculous. Julie Cohen’s powerful documentary Every Body makes that point loudly and clearly by sharing the moving stories of three incredible intersex people who’ve fought against ignorance and discrimination for most of their lives.
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Starring Virginie Efira as Mia, a Parisian woman who survives a deadly terrorist attack in a crowded bistro, Alice Winocour’s haunting drama Revoir Paris explores the lingering impact of devastating trauma. As Mia struggles to remember the details of what happened to her and the other victims that fateful night, she must come to terms with the fact that her life now has distinct “before” and “after” portions — and decide what that means for her future.
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