PARASITE – Review by Susan Granger

When South Korean filmmaker Bong Joon-ho won the Palme d’Or at the Cannes Film Festival it didn’t surprise those who were dazzled by his post-apocalyptic “Snowpiercer” (2013) and fantastical “Okja” (2017). His newest venture explores the dynamics between two families at opposite ends of the economic spectrum in Seoul, combining crime drama, black comedy and dark social satire as their disparate worlds collide.

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PARASITE – Review by Diane Carson

South Korean director Joon-ho Bong’s Parasite lives up to its name, meaning that it feeds off several film genres while remaining impressively unique. As with his earlier works (The Host, Mother, Snowpiercer, and Okja), Bong embeds a biting social critique in a dynamic narrative with unexpected risks and satisfying surprises. In Parasite, social inequality and class collision take center stage.

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TIFF19 Best Movies Wrap – Julide Tanriverdi reports

Working at a film festival always comes with the frustration that you cannot possibly see all the movies you want. I was dying to see The Lighthouse and Waves for instance and could not make it. But from the 23 movies I did manage to see I chose these to highlight.

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Telluride Film Fest 2019: It’s a Wrap – Diane Carson reports

That no competitive awards are presented makes Telluride Film Festival a pure celebration of film as the aesthetic treasure it is. The festival’s 46th edition maintained its reputation for outstanding film selection, though more foreign films and more offerings directed by and starring women would have been welcome addition to the roster. Yet, the brilliant and varied program made for a great cinematic experience at Telluride 2019. It’s a good time to be a film lover.

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PARASITE – TIFF19 Review by Alexandra Heller-Nicholas

The success of Parasite is not merely marked by great filmmaking and an intriguing storyline, but deep within its foundations lies an overwhelming understanding on Bong’s part of how bigotry operates at an almost molecular level. It’s everywhere. Parasite is a truly original black comedy about the tragic, casual normalization of the uneven terms upon which everyday class warfare is waged.

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