THE WHITE LOTUS Season 3 – Review by Susan Granger

Let’s be honest: Mike White’s The White Lotus: Season 3 isn’t as much fun as the previous two. The satirical anthology that began as a pandemic project on Maui in Hawaii has grown into a huge, Emmy Award-winning, globe-trotting franchise with a glamorous, exotic location and different cast of characters for each season. Epitomized by the menacing plethora of lizards and monkeys amid repetitive water imagery, Mike White’s dramatic narrative is darker and slower-paced, the multiple storylines and faked fantasies less compelling, the characters less empathetic, and the acerbic dialogue less biting about wealth and privilege

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THELMA (Melbourne IFF 2024) – Review by Alexandra Heller-Nicholas

An easy target for a ruthless phone scammer, Thelma is devastated when she realizes she has been conned into parting with $10,000 to supposedly cover bail for her grandson. Writer/director Josh Margolin foregrounds Thelma’s subjectivity and experience, brought to life so vividly by June Squibb in what no doubt will be remembered as one of the great roles across her long and varied career. And it is in this light that Thelma feels almost radical in the film’s driving refusal to diminish and ignore the plight of older women.

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THELMA – Review by Sarah Knight Adamson

June Squibb of Nebraska (2013) fame’s new film role of Thelma, a 93-year-old widow living alone with the help of her daughter (Posey Parker) and grandson (Fred Hechinger), is a heartwarming, comical, family-themed generational saga. Writer/Director Josh Margolin based his script on comparable adventures of his grandmother named Thelma, who encountered scammers pretending to be him and, in turn, attempted to steal money from her. Margolin has said that his grandmother didn’t go to the extent to find the robbers or confront them as in the movie, although he said that his tough-as-nails grandmother could have easily gone to the extent of Squibb’s character in the film.

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THELMA – Review by Susan Granger

Federal authorities warn that seniors are increasingly being targeted by scammers pretending to be their grandchildren and cajoling them to send money after a car crash, arrest or other catastrophe. That’s what happened to Thelma, an elderly widow living alone in Los Angeles. A fraudster claiming to be her grandson calls Thelma Post (June Squibb), telling her that he was in a terrible accident and needs her to send $10,000 immediately. Horrified, she complies, only to discover she’s been swindled. Her apprehensive daughter (Parker Posey) and son-in-law (Clark Gregg) cannot help, nor can the police. So this feisty grandma decides to get a gun and retrieve the money on her own.

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THELMA – Review by April Neale

Thelma is a film that stands out for its unique storytelling—a refreshing departure from the typical cinematic fare we are being force-fed in the summer. It’s a brilliantly, hilariously subtle exploration of aging in the digital age and the generational blind spots when raising a functional kid wrapped inside an action flick. The importance of Thelma’s family and her struggle to retain her agency underscores the story. Director Josh Margolin crafted the tale based on the real-life experience of his grandmother. June Squibb plays the titular Thelma, a widowed woman of 93 years watching the dust settle as life slips by with needlepoint and television, who greatly admires Tom Cruise’s stunt work ethic in films. One day, a scammer phone call is received that changes her life trajectory.

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THELMA (Sundance FF 2024) – Review by Leslie Combemale

There’s something truly badass and subversive about making a movie inspired by the Mission Impossible franchise starring a 93 year old woman. That’s the premise for Thelma, writer/director Josh Margolin’s Sundance release starring June Squibb in her first leading role in a 70-year career. It’s as fun as it sounds, but without sugar-coating the challenges that face us all as we enter our twilight years.

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LOST IN SPACE: Producers and Cast Chat Story, Character and Gender Balance – Leslie Combemale interviews

If you aren’t watching Netflix’s exciting, very engaging sci-fi series Lost in Space, you should be. Well-crafted, full of cliffhangers, and with characters that rise above the tiresome cliches viewers have come to expect in fantasies, Lost in Space is perfect for families looking for something they can watch and enjoy together. I’d argue this because their gender-balanced Writers’ Room continues to subvert gender norms and present characters and storylines in which women, girls, and indeed everyone, will see themselves.

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