WEEK IN WOMEN: Lisa Cholodenko’s HIGH ART gets Criterion Collection Blu-ray – Brandy McDonnell reports

Lisa Cholodenko’s acclaimed 1998 debut feature High Art is getting a Blu-ray release this month via The Criterion Collection. The queer romantic drama follows Lucy Berliner (Ally Sheedy), a once-prominent photographer who has retreated into a life of heroin abuse with her faded-actress lover (Patricia Clarkson). When Lucy is rediscovered by Syd (Radha Mitchell), an up-and-coming editor at a photography magazine, professional ambition and personal attraction become dangerously entwined. Cholodenko was still a student in Columbia University’s master of fine arts film program when she wrote High Art, which won numerous awards.

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MOVIE OF THE WEEK May 9, 2025: LILLY

If the more unpleasant aspects of late-stage capitalism have you seeing red these days, Lilly isn’t likely to change your mind on that front. But Rachel Feldman‘s earnest biopic about the extremely determined Lilly Ledbetter (Patricia Clarkson), who fought long and hard in the name of ensuring equal pay for women, is a timely, meaningful reminder that one person truly can help to make a real difference when faced with injustice and discrimination.

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SPOTLIGHT May 2025: Rachel Feldman, Filmmaker, LILLY

Rachel Feldman has been an activist for fair pay and women’s equality in the film world for decades. After a successful career as a child actor, she trained as a writer, and director, ultimately building a career as an episodic director and advocating for women in front of and behind the camera way before it was “in fashion”. She’s been writing guest articles, committing to better onscreen representation for women and diverse voices, and just generally standing completely outside most people’s comfort zones for her entire career. Those choices have culminated in Lilly, a film she co-wrote, actively produced, and directed. This story of courage, gumption, and working class heroism is her first narrative feature releasing in theaters. It may have taken way longer than it should have, but the tale she tells is a big screen debut that suits her perfectly.

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SHE SAID – Review by Jennifer Green

Is She Said the portrayal of female journalists we’ve been waiting for? A lot has been written about the depiction of female journalists in She Said, director Maria Schrader and scriptwriter Rebecca Lenkiewicz’s adaptation of New York Times reporters Jodi Kantor and Megan Twohey’s book about their Pulitzer Prize-winning investigation into sexual misconduct allegations against Harvey Weinstein. Reviewers have praised the film for offering what other investigative journalism movies have not — the female perspective, especially outside the newsroom.

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SHE SAID – Review by Valerie Kalfrin

Real-life journalism is rarely cinematic. Behind each written word lies ignored phone calls, rejections, document searches, skittish and irritable people, meetings that circle around uncomfortable topics, and a lot of hustle. Director Maria Schrader (I’m Your Man) and screenwriter Rebecca Lenkiewicz (Small Axe) use these hurdles to show the reporters’ tenacity and intelligence, creating a surprising amount of dramatic tension and momentum.

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SHE SAID – Review by T.J. Callahan

She Said is the story of New York Times reporters, Megan Twohey and Jodi Kantor’s relentless determination to expose extreme sexual harassment in the workplace. Following leads from actresses Rose Mc Gowan and Gwynneth Paltrow, the pair focused on Weinstein and the supply chain of abusers in the movie industry.

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Lynn Novick on HEMINGWAY, the Myth and Women – April Neale interviews

PBS brings Hemingway to the small screen beginning on April 5, told in three episode series. Award-winning filmmakers Lynn Novick and Ken Burns’ latest documentary series features one of America’s most famous authors, Ernest Hemingway. The film spans the author’s lifetime, from Hemingway’s early days as a boy discovering the natural world with his father, to his early journalism career before becoming America’s most famous, modern 20th century author.

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OUT OF BLUE – Review by MaryAnn Johanson

An astrophysicist is found shot to death in her observatory, and alcoholic homicide detective Patricia Clarkson catches the case. Alas, this limp noodle of a noir criminally drains Clarkson of her deliciously eccentric charisma. Only slightly less criminal is Out of Blue’s attempts to pull off a slow-burn mix of pseudoscientific philosophizing with worn-out-cop clichés.

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THE BOOKSHOP — Review by Diane Carson

The Bookshop reveals the character of a community. Some films aspire primarily to be a charming and cautionary story of political machinations that devastate kind characters striving to make constructive contributions to their community. That’s the case with The Bookshop, in which Florence Green, a widow of sixteen years, decides to transform her old stone house into the first bookstore for the fictitious town of Hardborough, East Anglia.

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