SHE SAID – Review by Jennifer Green

Is She Said the portrayal of female journalists we’ve been waiting for? A lot has been written about the depiction of female journalists in She Said, director Maria Schrader and scriptwriter Rebecca Lenkiewicz’s adaptation of New York Times reporters Jodi Kantor and Megan Twohey’s book about their Pulitzer Prize-winning investigation into sexual misconduct allegations against Harvey Weinstein. Reviewers have praised the film for offering what other investigative journalism movies have not — the female perspective, especially outside the newsroom.

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SHE SAID – Review by Valerie Kalfrin

Real-life journalism is rarely cinematic. Behind each written word lies ignored phone calls, rejections, document searches, skittish and irritable people, meetings that circle around uncomfortable topics, and a lot of hustle. Director Maria Schrader (I’m Your Man) and screenwriter Rebecca Lenkiewicz (Small Axe) use these hurdles to show the reporters’ tenacity and intelligence, creating a surprising amount of dramatic tension and momentum.

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SHE SAID – Review by T.J. Callahan

She Said is the story of New York Times reporters, Megan Twohey and Jodi Kantor’s relentless determination to expose extreme sexual harassment in the workplace. Following leads from actresses Rose Mc Gowan and Gwynneth Paltrow, the pair focused on Weinstein and the supply chain of abusers in the movie industry.

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Lynn Novick on HEMINGWAY, the Myth and Women – April Neale interviews

PBS brings Hemingway to the small screen beginning on April 5, told in three episode series. Award-winning filmmakers Lynn Novick and Ken Burns’ latest documentary series features one of America’s most famous authors, Ernest Hemingway. The film spans the author’s lifetime, from Hemingway’s early days as a boy discovering the natural world with his father, to his early journalism career before becoming America’s most famous, modern 20th century author.

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OUT OF BLUE – Review by MaryAnn Johanson

An astrophysicist is found shot to death in her observatory, and alcoholic homicide detective Patricia Clarkson catches the case. Alas, this limp noodle of a noir criminally drains Clarkson of her deliciously eccentric charisma. Only slightly less criminal is Out of Blue’s attempts to pull off a slow-burn mix of pseudoscientific philosophizing with worn-out-cop clichés.

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THE BOOKSHOP — Review by Diane Carson

The Bookshop reveals the character of a community. Some films aspire primarily to be a charming and cautionary story of political machinations that devastate kind characters striving to make constructive contributions to their community. That’s the case with The Bookshop, in which Florence Green, a widow of sixteen years, decides to transform her old stone house into the first bookstore for the fictitious town of Hardborough, East Anglia.

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MOVIE OF THE WEEK August 24, 2018 : THE BOOKSHOP

motw logo 1-35A woman’s modest but passionate dream of running a book store goes up against small-town politics in Isabel Coixet’s The Bookshop. With stunning performances by Emily Mortimer, Patricia Clarkson, Bill Nighy and yong Honor Kneafsey, this intimate English-to-the-core drama reveals darkness at the heart of a storybook village.

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THE BOOKSHOP — Review by Cate Marquis

In 1950s Britain, a widow moves to a small English village, buys a old house in town that had stood empty for years, with the intention to open a bookshop. Sounds harmless enough, maybe even something the village would welcome. But Florence Green (Emily Mortimer) does not find it so. It isn’t so much the bookshop that is the problem, although one seemly friendly villager offers her the not-to-encouraging advice that people around there don’t read. Well, the villager admits, there is one reader, the reclusive Mr. Brundish (Bill Nighy) but he never leaves his decaying mansion. No, the real problem,as it turns out, is not lack of readers, but that Florence happened to pick as the spot for her bookshop the very old house that a powerful local aristocrat Violet Gamat (Patricia Clarkson) had her eye on, planning to turn the building that everyone in town calls “the old house” into an “arts center.”

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THE BOOKSHOP — Review by Susan Wloszczyna

Emily Mortimer, Bill Nighy and Patricia Clarkson in one movie? That is a dream team right there. Despite such a quality cast, however, The Bookshop will likely test the patience of those who require peppier pacing and more compelling drama, even in a well-meaning film set in a British seaside village in 1959. Director Isabel Coixet’s screenplay, based on Penelope Fitzgerald’s novel, focuses on Florence, a young widow (Mortimer) who decides to open a book store in an old damp house in the heart of the community.

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