ESCAPE AT DANNEMORA – Commentary by Martha P. Nochimson

Ultimately, this show about brief, ambiguous escapes is reminiscent of the fatalism of the early 20th century American naturalist novels in which the plight of trapped characters becomes a microcosm of the American macrocosm, a culture depicted gloomily as the habitation of beings with no real place either in nature or culture, no core identity, no coherence outside of the deadening rules and conventions society has invented. This is a vision that is too bleak for my taste, but I respect it because it goes well beyond being the same old familiar jailbreak story. It has a perspective.

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WILDLIFE – Review by Brandy McDonnell

A first-time screenwriter, Dano, known for his performances in “There Will Be Blood,” “Love & Mercy” and “Little Miss Sunshine,” adapted “Wildlife” alongside his actress/screenwriter partner Zoe Kazan (“The Big Sick,” “Ruby Sparks”) from Richard Ford’s 1990 novel about thoughtful teenager Joe Brinson, who watches his parents’ marriage unravel shortly after the family’s move in 1960 to small-town Montana.

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