COLD WAR – Review by Diane Carson

Oppressive political policies often come most alive when embedded in strong personal stories. That’s the case in writer/director Pawel Pawlikowski’s Cold War. In 1949 Poland, three workers travel the countryside in a van collecting folk music on audiotape all in honor of the nation. A favored few singers and dancers will be chosen to represent their People’s culture.

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COLD WAR – Review by Marietta Steinhart

Four years after winning an Oscar for best-foreign-language film for Ida, author and director Pawel Pawlikowski has returned with three-time Oscar-nominated Cold War, a meticulously composed story of love shattered by the Iron Curtain, and temperaments. It will break your heart, but never mind: despair has never looked so gorgeous.

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COLD WAR – Review by Martha K. Baker

Cold War is blurbed as a romance, but the title refers as much to the plot as to the political and temporal setting of Pawel Pawlikovski‘s haunting film. It begins in 1949, two years after a communist government came to power in the Polish People’s Republic. Ethnomusicologists are roaming the land, auditioning for people’s choruses to celebrate Poland.

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