MEANDER – Review by Maitland McDonagh

Comparisons to 1997’s Cube and its sequels are inevitable. The first film earned its notoriety by giving claustrophobic viewers nightmares and everyone else bragging rights for not squirming long after the credits rolled and Meander operates by the same playbook. But Meander is more visceral from the outset. Writer and director Mathieu Turi has built in some nasty surprises that keep it from becoming tediously repetitive–just consistently dark

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