PETITE MAMAN (Berlinale 2021) – Review by Alexandra Heller-Nicholas

Speculation has been running high since Céline Sciamma’s Portrait of a Lady on Fire about where the French filmmaker would go from there; what, precisely, can one do to top something so immaculately crafted, perfectly structured, and which carried the impact of a sledgehammer to even the most unmovable hearts? With its world premiere at the 2021 Berlinale, Petite Maman provides a satisfying answer.

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