A REAL PAIN, Holocaust Tourism & Gaza – Essay by Yael Friedman (Guest Post)

A Real Pain utilizes the familiar tourist trip as a convincing canvas. Nailing down the charmingly Bohemian Benji (Kieran Culkin) by booking a conventional tour by the more conventional cousin David (Jesse Eisenberg), made sense. It was a perfect vehicle for allowing their dynamics, personalities, the themes of memory and trauma tourism, to unfold. The exposition in this screenplay was a master class, even though the actors are laying versions of themselves, or because of it. It’s a neat sleight of hand to turn a character you think you know into one entirely invented. As fun as Benji was and as envious as the more straitlaced and neurotic David got, the tragedy of Benji’s character pierced deeply. He endeared and broke and enraged you in equal measure. We never really find out why Benji has been cast adrift in life, and we don’t need to. We meet him where he is and worry for what is next. Just enough is given to make it real and utterly palpable.

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GREEN BORDER (Melbourne IFF 2024) – Review by Alexandra Heller-Nicholas

This is an unambiguously upsetting, distressing viewing experience, and it should be. Yet Agnieszka Holland is never exploitative, but also never softens or shirks from what is a genuinely harrowing story. Green Border is not an easy watch, but it is an indescribably important one, and one of Holland’s most humane and compassionate works yet.

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MOVIE OF THE WEEK June 21, 2024: GREEN BORDER

Harrowing in its brutal depiction of the way that refugees from Africa and the Middle East are treated by authorities on both sides of the vicious barbed-wire fence between Belarus and Poland, Agnieszka Holland’s riveting drama Green Border begs viewers to pay attention to the tragic consequences of dehumanizing the vulnerable people who need help the most. It’s a difficult film to watch — which is exactly why it needs to be seen.

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GREEN BORDER – Review by Jennifer Merin

Polish director Agnieszka Holland’s Green Border is a documentary-like geopolitical drama about a group of disparate refugees who are seeking asylum from political unrest and poverty in their various homelands. The ‘Green Border’ referred to in the title is a no go zone on both sides of a barbed wire fence that demarks the border between Belarus and Poland. It is a border that refugees from oppressive countries in Africa and the Middle East are desperate to cross because they expect to find safe passage through Poland to freedom and a better life in the European Union. However, they find that safe passage is elusive, if not impossible. Because neither Belarus nor Poland wants them, they are brutally rejected by violent border guards that are commissioned by the virulently right wing xenophobic governments on both sides of the barbed wire.

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