SHEPHERDS (BERGERS, TIFF 2024) – Review by Jennifer Green
There’s a scene midway into France-set film Shepherds (Bergers), where the two protagonists turn their lives around, a moment which also transforms the film from a dark tale set against a man’s world of brutish natural laws, into a bucolic, feminine journey of love and self-discovery. In the key scene, ad exec turned shepherd Mathyas apologizes to his love interest, Elise, for what’s come before. “It’ll make a good story,” Elise shrugs. “Can I change the ending?” he asks, hopefully. “Either way, you’re the hero,” she responds.
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