AWFJ Presents: QUEEN OF HEARTS: AUDREY FLACK – Review by Liz Braun

Queen of Hearts: Audrey Flack is a love letter to the artist and a mini-lesson in 20th Century gender politics and American art history. Directors Deborah Schaffer and Rachel Reichman trace the career of the now-91-year-old Flack by letting her do most of the talking. From Josef Albers getting handsy with her while she attended Yale to the exigencies of being a single mother and somehow finding time to paint, Flack’s history as a painter is also history of second wave feminism, entailing general survival in a male-dominated society and specific work in a milieu where women were barely acknowledged.

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AWFJ Presents: QUEEN OF HEARTS: AUDREY FLACK – Review by Liz Braun

Queen of Hearts: Audrey Flack is a love letter to the artist and a mini-lesson in 20th Century gender politics and American art history. Directors Deborah Schaffer and Rachel Reichman trace the career of the now-91-year-old Flack by letting her do most of the talking. From Josef Albers getting handsy with her while she attended Yale to the exigencies of being a single mother and somehow finding time to paint, Flack’s history as a painter is also history of second wave feminism, entailing general survival in a male-dominated society and specific work in a milieu where women were barely acknowledged.

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QUEEN OF HEARTS: AUDREY FLACK – Review by Leslie Combemale

Co-directors Deborah Shaffer and Rachel Reichman’s film Queen of Hearts: Audrey Flack is a fascinating examination of a singular artist, a woman who thrived in the nearly completely male-dominated art world of the 50s, changing the demographic and cultural landscape of 20th century art. Anyone interested in the first hand experience of a woman breaking the artistic glass ceiling will find the film compelling, not least because her story comes directly from the source.

Anyone who is interested in hearing and seeing first hand the experience of a woman breaking the artistic glass ceiling will find the film compelling, not least because her story comes directly from the source.

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