ON THE ROCKS – Review by Diane Carson

Writer/director Sofia Coppola tackles recognizable, perplexing situations with observational skill. Through calm restraint that communicates volumes, she reveals complex characters who struggle with relationships. In her latest film, Laura slowly but surely begins to suspect that husband Dean is having an affair with his assistant. On the Rocks is quiet, restrained, and wonderful.

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ON THE ROCKS – Review by Susan Granger

Obsessed with the concept of monogamy/marital fidelity, writer/director Sofia Coppola conveys her smart, sophisticated, incisive observations about men, no doubt formed by the dynastic Coppola family and her first marriage to director Spike Jonze. On the Rocks revolves around a meddling father, his anxious daughter and a marriage that may or may not be falling apart.

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MOVIE OF THE WEEK October 23, 2020: ON THE ROCKS

On the Rocks feels a bit like what you’d get if Woody Allen and Wes Anderson made a movie together — only with a lot more feminine energy, empathy, and understanding. Sofia Coppola’s dramedy tackles modern marriage, motherhood, career uncertainty, and parent/adult child relationships with a light touch and strong performances from a talented cast.

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ON THE ROCKS – Review by Nikki Baughan

The reteaming of filmmaker Sofia Coppola and star Bill Murray is a tantalising proposition for the many fans of their previous collaborations, such as A Very Murray Christmas (2015) and, of course, Lost in Translation (2003). The two have developed an easy rapport over the years, with Coppola knowing how to let Murray’s charisma shine through without overwhelming everything around him; and that balance, together with the addition of the always-excellent Rashida Jones into the mix, makes On the Rocks a hugely appetising confection.

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ON THE ROCKS – Review by Brandy McDonnell

It might not be a world-changing work of cinema, but “On the Rocks” bubbles over with wit and verve. Coppola keeps the drama understated, which makes it feel real, and sprinkles in plenty of keen observations and cutting questions about gender politics, marriage, monogamy, family ties and forgiveness.

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ON THE ROCKS – Review by Leslie Combemale

As much as I’m a proponent of female filmmakers, I’ve never much been one for the movies of Sophia Coppola. With On the Rocks, that has changed. I loved the film, and believe it’s one of the best vehicles in Bill Murray’s career. Sometimes his shtick brings attention to itself to such a degree that we become removed from the story or whatever is happening onscreen. Not so in On the Rocks. On the contrary, he gets so far out of his own way, his portrayal brings us all the more into the story. He is an unqualified marvel.

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ON THE ROCKS – Review by Susan Wloszczyna

Once again, Sofia Coppola pairs Bill Murray with an younger actress, this time in the form of Rashida Jones, not as a love interest — as was the case with Scarlett Johansson — but as his daughter. The main similarity between them is the fact that both characters suspect their spouse might be cheating on them.

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DR SEUSS’ THE GRINCH – Review by Susan Granger

Illumination Entertainment, best known for creating the Minions in the “Despicable Me” franchise, does the crisp, visually alluring CGI animation, artfully coordinated by directors Yarrow Cheney and Scott Mosier. Kudos to Angela Lansbury, Kenan Thompson and Rashida Jones for adding far-too-brief vocal enhancement to their characters. And everyone is obviously ready to make that inevitable transfer to a Universal Studio theme park.

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WEEK IN WOMEN: 9 TO 5 sequel, ‘CHARLIE’S ANGELS’ reboot, RGB and OCEAN’S 8 to DCD — Brandy McDonnell

The hours may be different these days, but Jane Fonda, Lily Tomlin and Dolly Parton are going back to work

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