A PRIVATE LIFE – Review by Susan Granger

Not one of Jodie Foster’s best films but unusual because – in her protagonist performance – she speaks impeccable French, making A Private Life more of a curiosity than a ‘must see.’ When Paris-based American psychoanalyst Lilian Steiner (Foster) learns that her patient of nine years committed suicide, she sets out to prove that she was actually murdered, enlisting help from her ex-husband. While it’s not the first time Foster has acted in French, it’s the most significant role in the language that she’s ever played, working with a director – Rebecca Zlotowski – who co-wrote the script with Anne Berest with her in mind.

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MOTW January 16, 2026: A PRIVATE LIFE

A psychiatrist’s personal and professional insecurities come together to send her spiraling in the wake of her long-time patient’s death in director Rebecca Zlotowski’s engrossing mystery/thriller A Private Life. Starring Jodie Foster in her French-language feature debut, the film follows Dr. Lilian Steiner (Foster) as she gets caught up in trying to prove that the engimatic Paula Cohen-Solal (Virginie Efira) didn’t die by suicide but, in fact, was murdered.

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New York Film Festival 2025 Roundup – Margaret Barton-Fumo reports

This year, the 63rd annual New York Film Festival boasted an impressive roster of women-produced and women-prominent features, spanning across a variety of different genres. In general, this year’s more anticipated, big-ticket films turned out to be less remarkable than some of the quieter releases, as we’ll address in this roundup. The festival opener, for example, Luca Guadagnino’s After the Hunt, while an apt showcase for Julia Roberts, was a coolly received treatise on cancel culture told from within the confines of the ivory tower of academia. Other films in the Main Slate, like Kelly Reichardt’s The Mastermind and Joachim Trier’s Sentimental Value, while more understated features, received greater praise from audiences and critics alike.

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A PRIVATE LIFE (NYFF 2025) – Review by Margaret Barton-Fumo

A Private Life is an engaging but purposefully jumbled film, following Jodi Foster’s Dr. Lilian Steiner, a confused expat psychoanalyst whose life turns upside-down when one of her patients unexpectedly commits suicide. Living and working in a gorgeous, book-filled Parisian apartment, Lilian tends to her patients distractedly, relying perhaps too heavily on her outdated mini-disc recorder. Abruptly dumped by her longstanding patient Pierre in favor of a hypnotist who apparently helped him quit smoking, Lilian handles the sudden rejection with a slightly befuddled ease—but when she discovers that another one of her patients, Paula has recently died, her reaction is more profound.

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A PRIVATE LIFE (TIFF 2025) Review by Leslie Combemale

A Private Life​ is a genre-bending mashup of an absurdist comedy, a romance, a murder mystery, and a surreal examination of self and mortality, It follows expat therapist Lilian as she falls down an emotional and intellectual rabbit hole, the result of losing a longterm client to suicide. A stoic woman who takes self control to the logical absurdity, she finds she can’t stop crying​.

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Women @ Cannes FF 2025 – Christina Jeurling-Birro reports

When the Cannes Film Festival opens for the 78th time on May 13, Juliette Binoche will preside over the main competition jury. A towering presence in international cinema, Binoche follows in the footsteps of another female film icon, Greta Gerwig. This marks the first time in over six decades that two women have consecutively held this prestigious role! All in all. 2025 is shaping up to be an exciting year for women at Cannes.

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OTHER PEOPLE’S CHILDREN – Review by Nadine Whitney

Other People’s Children is a film that will resonate with many, especially those who for whatever reason (and there are multiple reasons) did not become parents. There is a wealth of kindness in the work and a generosity that radiates from not only the central character of Rachel (Virgine Efira) , but from Rebecca Zlotowski’s writing and direction. In her script, Zlotowski ponders the meaning of motherhood, noting that there are many ways to be a “mother” – it is far more than a biological act; it is an act of love and attention.

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