MOVIE OF THE WEEK August 7, 2026: COOKIE QUEENS

Does the sight of a girl in a brown sash (or blue or green vest) immediately make you crave Thin Mints? If so, you’re definitely not alone. But chances are you haven’t spent too much time thinking about how those cookies got into the girl’s hands — or just how many boxes of them she has to sell if she wants to go to camp next summer. Alysa Nahmias aims to change that with her engaging documentary Cookie Queens.

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COOKIE QUEENS – Review by Loren King

This charming film has surprising texture and grit. It’s anchored by four young Girl Scouts, ranging in age from 5 to 12, each with her own delightful personality. Director Alysa Nahmias’s film is strictly observational, yet what emerges is a nuanced look at the longstanding fundraising tradition of selling girl scout cookies through these four well-chosen subjects and their families. As each pursues the hard-selling of cookies over the six-week timeframe to win prizes and gain personal satisfaction, Cookie Queens subtly presents an inherent contradiction. On the one hand, the girls’ excitement, drive and ambition is genuine and admirable; one the other, the pressure to sell, and the need for family to pitch in even if they don’t have the time or the means, is problematic.

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COOKIE QUEENS – Review by Liz Whittemore

Audiences follow four girls and their extremely different cookie goals over the six-week selling window. At one end of the spectrum is twelve-year-old former record holder Olive’s initial 4000-box goal (spoiler alert: she obliterates that number). On the other end of the spectrum is five-year-old Ara with 55. Shannon Elizabeth’s spirit keeps her nervous parents on track, while Nikki longs to step out of the shadow of her top-selling older sisters’ legacy. Each girl has a vibrant personality. Audiences will fall in love with them.

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COOKIE QUEENS – Review by Cate Marquis

Cookie Queens is charming, even inspiring, but focuses strongly on the girls’ cookie selling. At times, the experienced parents’ own ambitions seem to come forward, even causing one girl to remark on it. It is all very entrepreneurial but sometimes the reason for the cookies gets a bit lost. While it does give us a nice glimpse of each girl’s selling style and their personalities and goals, the documentary falls a bit short on showing us why the girls love Scouting and what they get out of it, such as the sense of self-reliance and team work in the outdoors, although they do talk a little about the friendships that they have formed and there are a few campfire shots. Still, Cookie Queens is a warm, uplifting peek at some hard-working, imaginative – and winning (in both senses) – girls who charm us as they tempt us with those delicious cookies.

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COOKIE QUEENS – Review by Monique Jones

Cookie Queens is fun, but it also subtly challenges viewers to think more critically about the Girl Scout Cookie selling season. The girls in this documentary seem to learn quite a bit about personal responsibility in business. But does selling cookies for the whole summer rob children of their time to be a kid? Do the Boy Scouts do any of this? Why are girls relegated to “selling,” i.e. people pleasing and relying on looks (in this case, cuteness) to make a profit? Is this cookie-selling industry really about teaching girls about business? Or is there an element of exploitation involved?

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WEEK IN WOMEN: Alysa Nahmias’ COOKIE QUEENS served up by Roadside Attractions – Brandy McDonnell reports

Roadside Attractions is cooking up an Aug. 7 theatrical bow for Alysa Nahmias’ tantalizing documentary Cookie Queens, a celebration of girlhood and the complexities that come with it. Cookie Queens tells a coming-of-age story about the joys, pressures and tensions woven into one of America’s most cherished rituals: Girl Scout Cookie season.

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WEEK IN WOMEN: Sophie Barthes’ POD GENERATION set for Theatrical Release – Brandy McDonnell reports

Marking their sixth collaboration, Roadside Attractions and Vertical have acquired North American rights to Sophie Barthes’ futuristic fable The Pod Generation, which won the Alfred P. Sloan Feature Film Prize winner at this year’s Sundance Film Festival in Utah. Barthes’ third feature film is set in the near future world where AI is all the rage and technology has trumped nature in nearly every aspect of life,

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SOMEWHERE IN QUEENS – Review by T. J. Callahan

Somewhere in Queens is helicopter parenting gone wild. But it’s also about a man who feels unseen and is trying to hang on to the one thing that made him standout, even if it is for selfish reasons. It’s about a mom who is facing her own mortality and doesn’t want to lose time with her loved ones. And it’s about a boy trying to become a man. Ray Romano, directing his first feasture, goes for the heart more than the laugh. His characters grow and learn from each other. He writes from what he knows…a close knit, loud Italian family.

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WEEK IN WOMEN: Krystin Ver Linden’s ALICE sells pre-Sundance – Brandy McDonnell reports

Ahead of its upcoming world premiere as part of the Sundance Film Festival 2022, Vertical Entertainment and Roadside Attractions have snapped up U.S. rights to the dramatic thriller Alice, written and directed by Krystin Ver Linden. The highly anticipated film marks the feature debut of Ver Linden, who was recently named one of Variety’s “10 Directors to Watch” for 2022.

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