CONCLAVE – Review by Susan Granger

The psychological thriller Conclave revolves around the selection of a new Pope, a mysteriously secretive process that begins with the death of the Holy Father whose private chambers are immediately sealed as Roman Catholic Cardinals from all over the world descend on the Vatican to be locked in the Sistine Chapel to cast their votes for his successor. “Certainty is the great enemy of unity. Certainty is the deadly enemy of tolerance. If there was only certainty and no doubt, there would be no mystery and therefore no need for faith,” intones British Cardinal Thomas Lawrence (Ralph Fiennes), the anguished, reform-minded Dean of the College of Cardinals who presides over the proceedings. “Let us pray that God grants us a pope who doubts.”

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CONCLAVE – Review by T.J. Callahan

As the Chalice Turns, Conclave isn’t non-fiction, but it plays like the ‘E! True Vatican Story’ of the search for a new Holy Father. The saintly soap opera is full of secrets, scandals and sacraments. The Robed and the Popeless. Based on the novel of the same name by Robert Harris, Conclave follows Dean Lawrence, played impeccably by Ralph Fiennes, as he’s tasked with organizing and carrying out the selection of a new pope after the current pontiff unexpectedly dies. His fellow cast of Cardinals, including Stanley Tucci and John Lithgow, begin drawing battle lines for succession until the all knowing Sister Agnes, played by a stone faced Isabella Rossellini, and an unknown clergyman from Kabul (Carlos Diehz) arrive and place a pall on everyone’s plans.

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MUNICH: THE EDGE OF WAR – Review by Susan Granger

Based on the 2017 best-seller by British novelist Robert Harris, Ben Power’s revisionist historical thriller revolves around two estranged Oxford University colleagues and their efforts to halt Hitler’s intended invasion of Europe. The sinister WWII story begins in 1932, when we first glimpse champagne-drenched best pals Hugh Legat (George McKay), Paul von Hartman (Jannis Niewohner) and Paul’s carefree Jewish girl-friend Lena (Liv Lisa Fries) cavorting at a garden party.

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MUNICH – THE EDGE OF WAR – Review by Diane Carson

In Munich – The Edge of War German director Christian Schwochow dramatizes the September 1938 meeting of the top echelon of Germany and Italy, England and France leading to a non-aggression pact meant to ensure peace. The hope driving negotiations and self-delusion is that appeasement will satisfy Führer Adolf Hitler as he prepares to annex the Sudeten German territory of Czechoslovakia.

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